Parallel Deterioration: On Brian Evenson’s “Song for the Unraveling of the World”
In “Song for the Unraveling of the World,” Brian Evenson renders the world as a place of infinite and paralyzing delusion.
In “Song for the Unraveling of the World,” Brian Evenson renders the world as a place of infinite and paralyzing delusion.
On the trail of a mysterious big-game hunter in colonial-era East Africa.
John Waters discusses his new memoir "Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder."
Sarah Neilson invites us to read the rainbow in a broad and diverse LGBTQIA+ reading list for Pride Month.
"I’ve been thinking a lot about cannibals lately. Fairy tale cannibals. Biblio-cannibals." Anna Journey's essay appears in LARB's Occult Issue.
"You don’t need the approval of the canon’s ghosts or a publisher to convey daily reactions to encounters with systems of oppression."
Trisha R. Thomas is inspired by “Notes from a Black Woman’s Diary,” the posthumous collection of Kathleen Collins’s writing edited by Nina Lorez Collins.
Diana Walsh Pasulka reviews Peter Bebergal’s "Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural."
Claire Kim looks at the alluring, dark tales in Karen Russell’s new short story collection, “Orange World and Other Stories.”
Robert Chandler remembers the cruelty of NATO in Serbia in 1999.
Michael Nava reviews Alex Espinoza’s “Cruising: An Intimate History of a Radical Pastime.”
Filmmaker Werner Herzog came to Stanford on May 7, 2019, to discuss his book, "Of Walking in Ice."
Mel Brooks looked for boundaries to cross and conventions to subvert, but his best work rarely came from crossing social and political boundaries.
Claudia Ross delves into the COLA 2019 show at the Los Angeles Municipal Art Gallery.