More Complete, More Pleasurable, More Bearable
Carla Marcantonio writes about Pedro Almodóvar and adaptation in relation to his two new works: “The Room Next Door” and “The Last Dream.”
Carla Marcantonio writes about Pedro Almodóvar and adaptation in relation to his two new works: “The Room Next Door” and “The Last Dream.”
Michael Kurcfeld talks to artist, product designer, tinkerer, and satirist Pippa Garner about her life and career.
All Brittany Menjivar wants this holiday season is to be rockin’ around the Christmas tree at IHEARTCOMIX’s anniversary party.
Hannah Bonner considers Marielle Heller’s new adaptation of “Nightbitch,” Rachel Yoder’s 2021 novel.
In an interview with Svetlana Satchkova, Michael Idov explains how he “didn’t want to do a twist on the [spy] genre”—he “wanted to do the thing itself.”
Lina Abascal explores the history of tiki culture in California.
Katya Apekina interviews Nora Lange on the occasion of her debut novel, “Us Fools.”
Grace Byron’s story from the LARB Quarterly no. 43 moves between tense living rooms, quiet bookstores, and dive bars where old songs ooze out of speakers “like sludge.”
Ryan McIlvain reviews Samantha Allen’s “Roland Rogers Isn’t Dead Yet.”
Addie Tsai interviews Daniel Olivas about his new book “Chicano Frankenstein.”
Na’amit Sturm Nagel pays tribute to the late Lore Segal, a novelist who wrote autobiographically.
Paul Allen Anderson analyzes the failures of the liberal dream in Netflix’s “The Diplomat,” in light of Donald Trump’s reelection.
With the world’s eyes on Syria, Maxine Davey reflects on Najwa al-Qattan’s essay on Rania Abouzeid’s “No Turning Back” and the human cost of the civil war.
The LARB Quarterly, no. 43: “Fixation” presents new poems from Jenny Xie, Claressinka Anderson, and emet ezell.
Medaya Ocher and Kate Wolf are joined by writer Kathryn Davis to discuss her novel “Versailles.”
Katie Peterson reviews “What Remains: The Collected Poems of Hannah Arendt,” translated and edited by Samantha Rose Hill with Genese Grill.