More Than “Tra-La-La”: On Vernon Duke, Igor Stravinsky, and Russian Musical Émigrés
Harlow Robinson turns his ear to “Taking a Chance on Love” by George Harwood Phillips and “In Stravinsky’s Orbit” by Klára Móricz.
Harlow Robinson turns his ear to “Taking a Chance on Love” by George Harwood Phillips and “In Stravinsky’s Orbit” by Klára Móricz.
For Red Hen Press, Memoirist Sebastian Matthews and poet Vievee Francis join to discuss Matthews’ "Beyond Repair: Living in a Fractured State."
Sam Moore watches reruns of Friends and Couplings only to find two shows defined by their own rigid definitions of gender and sexuality.
Alex Ross’s new book on Wagner teases out the great conductors many contradictions.
“No Crisis” is a Los Angeles Review of Books series considering the state of critical thinking and writing in the 21st century.
Lee Thomas appreciated "Luster," the debut novel from Raven Leilani.
Kathleen Jones on two recent biographies of midcentury women of noir: producer Joan Harrison and actress Veronica Lake.
Psychiatrist and historian George Makari remembers his father, Jack Makari, a pioneer of cancer immunology and microbiology.
Michael Scott Moore on the history and future of Antifa.
In a nine-part comic series, Ivan Ascher explores the university, the pandemic, and philosophy.
On the evolution of the figure of the public intellectual in the internet age.
A catalog of lost objects raises questions about history and memory in our age of mass protest.
Zach Shultz on queer homecoming in Appalachia and Cartel Sickel’s “The Prettiest Star.”
Beatrice Loayza writes time-loop rom-com “Palm Springs” as millennial manifesto.
In a nine-part comic series, Ivan Ascher explores the university, the pandemic, and philosophy.