Granny Knows Best
Olja Knežević’s newly translated novel is a delightful portrait of a “women’s circle of witches” in war-torn Montenegro.
Olja Knežević’s newly translated novel is a delightful portrait of a “women’s circle of witches” in war-torn Montenegro.
Andy Fitch talks with Dafna Rand and Andrew Miller about not taking narrow approaches to conflict regions and the their book "Re-Engaging the Middle East."
Susannah Rodríguez Drissi considers Steve Fagin’s video miniseries about trauma, memory, and Batista-era Cuba.
Andru Okun reviews “Katrina, A History 1915–2015,” a new book by Andy Horowitz.
The poet discusses his new collection, the George Floyd protests, and the holiness of trees.
On “Lao Lao of Dragon Mountain,” the much-loved children’s classic about a young Chinese artist, and its writer, a white woman from Lancashire.
Laurel Leff discusses her new book about how American universities responded to the Holocaust.
Sunil Iyengar appreciates the plainspoken poems in “Wonder & Wrath” by A. M. Juster and “Here & Then” by Henry Sloss.
Chang Che looks at two books on the upsides of hierarchy, “Just Hierarchy” and “Against Political Equality.”
Elle Kurancid and Hamada Elrasam on those struggling in Egypt in the era of COVID-19.
Ivy Pochoda talks with writer Sameer Pandya about his new novel, “Members Only.”
Lauren McLeod Cramer reviews Samantha N. Sheppard's Sporting Blackness: Race, Embodiment, and Critical Muscle Memory On Screen
L. Benjamin Rolsky reviews Thomas Frank’s new book, “The People, No: A Brief History of Anti-Populism.”
Artist Pratchaya Phinthong discusses his sculpture “Spoon,” which is made from disarmed munitions and was featured at SFMOMA in 2019.