Letter to the Editor: Matthew Feldman Responds to Peter Berard
Matthew Feldman and Peter Berard exchange letters regarding Berard’s review of “Hate in the Homeland” by Cynthia Miller-Idriss.
Matthew Feldman and Peter Berard exchange letters regarding Berard’s review of “Hate in the Homeland” by Cynthia Miller-Idriss.
Syrian prison literature testifies to the atrocities of the Assad regime.
Colin Marshall analyzes the film adaptation of the ever-popular Korean YA story "The Shower."
Gabino Iglesias reviews Thomas Maltman’s “The Land.”
Rediscovering the lost lithography of Alice Mary Chambers.
"Creating optimal chill doesn’t have to mean bringing in stiff new penalties."
After ISIS ravaged their homeland, a group of Yazidis found work removing explosives from their own villages.
Anandi Mishra meanders through “Aimlessness,” the new book by Tom Lutz.
Maggie Levantovskaya works through “Work Won’t Love You Back: How Devotion to Our Jobs Keeps Us Exploited, Exhausted, and Alone” by Sarah Jaffe.
Reviewing “On the Fringe,” Suman Seth uses 18th-century theories of putrefaction to show how flimsy the line between science and pseudoscience can be.
Alta Ifland reviews the recently published book by Magda Cârneci, “FEM,” translated by Sean Cotter.
What can France’s history with Catholicism tell us about today’s culture wars over Islam?
Alessandro Tersigni receives “The Delivery,” the new novel by Peter Mendelsund.
Hannah Amaris Roh explores how the film “Minari” provides a generative and moving departure from the typical Asian American immigrant film.
What if the world we perceive is just a virtual reality construction?