What Persists, What Remains
Nathan Crompton interviews Andrew Witt about documentary as form and photographing L.A. in an online release from LARB Quarterly no. 45: “Submission.”
Nathan Crompton interviews Andrew Witt about documentary as form and photographing L.A. in an online release from LARB Quarterly no. 45: “Submission.”
Grace Byron endures Ari Aster’s “Eddington.”
Christine Terrisse interviews Nate Jackson and Daniel Kohn about their new book “Tearing Down the Orange Curtain: How Punk Rock Brought Orange County to the World.”
Medaya Ocher and Kate Wolf speak with writer Catherine Lacey, about her latest novel “The Möbius Book.”
Ethan Warren argues that Jamie Lloyd’s “Sunset Boulevard” revival strips away theatrical excess.
Conor Williams on the legacy and continued relevance of the activist art collective Gran Fury.
Devin Thomas O’Shea reviews Patty Heyda’s “Radical Atlas of Ferguson, USA.”
Alexander Chee writes the second installment of the column I Come Here Often, from LARB Quarterly no. 45: “Submission.”
Bad days are made better by masquerading as a carefree hotel guest in Koreatown.
Cameron Engwall talks with Cora Lewis about “Information Age,” her debut novella.
In her first work of memoir, acclaimed author Arundhati Roy recounts her remarkable life, tracing in particular her complicated relationship to her mother Mary. Vulnerable, compassionate, and sagacious at once, the LARB Book Club Fall 2025 pick is “Mother Mary Comes to Me” by Arundhati Roy.
Erin Taylor writes about a reclusive Hollywood couple in a short story from LARB Quarterly no. 45: “Submission.”
Tess Pollok interviews Adam Ross about his novel "Playworld."
Brendan Boyle considers Jesse Armstrong’s “Mountainhead.”
Grace Byron considers Lorde’s “Virgin” and the gauntlet we lay for our pop stars.
Nate Rogers revisits Larry McMurtry’s barn burner “Lonesome Dove,” which turned 40 this year and is experiencing a renaissance.