Millennial Moods
Anna Aguiar Kosicki considers Cora Lewis’s debut novel “Information Age.”
Anna Aguiar Kosicki considers Cora Lewis’s debut novel “Information Age.”
M. G. Lord watches National Geographic’s new documentary “Sally.”
In the second installment of a quarterly series, Brendan Boyle and Adam Nayman consider the cinema of the Biden years.
Eric Newman and Medaya Ocher are joined by writer and professor Sebastian Castillo whose new novel “Fresh, Green Life” is the LARB Book Club pick for the summer.
Matthew K. Ritchie considers Clipse’s new album “Let God Sort Em Out,” the Virginia rap duo’s reunion, and the rarity of a principled artistic existence.
Chelsea Davis hangs out with dead people in Silvia Moreno-Garcia’s “The Bewitching.”
Grace Linden considers Kate Briggs’s new translation of “Lili Is Crying,” by Hélène Bessette.
Gideon Leek evaluates Michael Clune’s debut novel, “Pan.”
Joselyn Takacs interviews Amy Silverberg about her debut novel, “First Time, Long Time.”
Cory Oldweiler reviews Norwegian author Linn Ullmann’s novel “Girl, 1983,” newly translated by Martin Aitken.
Max Callimanopulos reviews the new edition of John Gregory Dunne’s classic “Vegas: A Memoir of a Dark Season.”
Michele Willens talks with film critic Kenneth Turan about Hollywood Golden Age moguls Louis B. Mayer and Irving Thalberg.
Lisa Kwon talks with Sam Bloch about his new book “Shade: The Promise of a Forgotten Natural Resource.”
Dan Nadel on the work of legendary underground cartoonist, artist, and sculptor Michael McMillan.
Christopher F. Jones disagrees with large portions of Ezra Klein and Derek Thompson’s “Abundance”—in particular, the notion that we can “build” ourselves out of our national problems using technology.
Helena Aeberli looks for rizz in Adam Aleksic’s “Algospeak: How Social Media Is Transforming the Future of Language.”