Modernity’s Slumber Factory
Ian Ellison considers Sebastian P. Klinger’s “Sleep Works: Experiments in Science and Literature, 1899–1929.”
Ian Ellison considers Sebastian P. Klinger’s “Sleep Works: Experiments in Science and Literature, 1899–1929.”
Maggie Nelson joins Kate Wolf to discuss her new book “Pathemata, Or, The Story of My Mouth.”
Lauren Markham and Jenny Odell discuss people, books, and places as inspiration; grief and the creative process; and the conscious attention required by climate crisis.
In this new installment of an ongoing series, LARB founder Tom Lutz reflects on the “King of the Greenwich Village Bohemians,” Maxwell Bodenheim, and the significance of the year 1925.
Jenna N. Hanchey explores the recent anthology “Afro-Centered Futurisms in Our Speculative Fiction,” edited by Eugen Bacon.
Marat Grinberg considers Stanisław Lem as a Jewish writer.
Ieva Jusionyte digs into Greg Grandin’s “America, América: A New History of the New World.”
Esther Allen reviews Greg Grandin’s “America, América: A New History of the New World.”
Chris Molnar interviews Naomi Falk about her new book, “The Surrender of Man.”
Heather Cass White considers David Szalay’s latest novel, “Flesh.”
Jessie Lau ponders Emily Feng’s “Let Only Red Flowers Bloom: Identity and Belonging in Xi Jinping’s China.”
Gracie Hadland talks to Paul Sietsema about his recent exhibition at Matthew Marks Gallery.
Vanessa Evans reviews the new critical anthology “Global Indigenous Horror,” edited by Naomi Simone Borwein.
Michael Knapp reviews “The Voices of Adriana” by Elvira Navarro, translated by Christina MacSweeney.
The LARB Quarterly no. 44, “Pressure,” presents a new poem by Jorrell Watkins.
Eric Newman and Medaya Ocher speak with writer Katie Kitamura about her recent novel, “Audition.”