Journey to the End of Autofiction
Emily Wells and Aaron Bornstein talk with John Tottenham about his debut novel, “Service.”
Emily Wells and Aaron Bornstein talk with John Tottenham about his debut novel, “Service.”
Hamilton Cain reviews Gary Shteyngart’s “Vera, or Faith.”
Rhoda Kwan reviews two newly translated novels reckoning with China’s bloody past, Fang Fang’s “Soft Burial” and Tsering Döndrup’s “The Red Wind Howls.”
Mitchell Abidor reviews the reprint edition of Roger Shattuck’s “The Forbidden Experiment: The Story of the Wild Boy of Aveyron.”
Edward Watts reviews Josiah Osgood’s “Lawless Republic: The Rise of Cicero and the Decline of Rome.”
David M. Smith examines the career of the great Norwegian novelist Dag Solstad, and the gaps in English translation of his work.
Darren Wan reviews Hai Fan’s “Delicious Hunger,” translated by Jeremy Tiang, as well as Tiang’s own novel, “State of Emergency.”
Elizabeth Alsop reviews “The Studio,” “The Franchise,” and other recent industry satires.
Amanda Hawkins explores Michael M. Weinstein’s new poetry collection “Saint Consequence.”
Alison Laurence reviews “Jurassic World Rebirth” in the context of de-extinction developments.
Laurie L. Levenson cross-examines Leah Litman’s “Lawless: How the Supreme Court Runs on Conservative Grievance, Fringe Theories, and Bad Vibes.”
Kate Wolf speaks with Nathan Kernan about his new biography, “A Day Like Any Other: The Life of James Schuyler.”
Eliana Rozinov analyzes the interplay between two recent shows, “Sirens” and “Hacks.”
Jeffrey L. Kosky considers Mark C. Taylor’s “After the Human: A Philosophy for the Future.”
Carl Abbott dives into Joan Slonczewski’s “Minds in Transit.”
Emily Van Duyne explores Diana Arterian’s “Agrippina the Younger.”