Ukrainian Gothic
Tom Johnson interviews Nick Owchar about his novel “A Walker in the Evening.”
Tom Johnson interviews Nick Owchar about his novel “A Walker in the Evening.”
Rowland Bagnall discovers “The Essential C. D. Wright,” edited by Forrest Gander and Michael Wiegers.
Courtney Thomas interviews Brendan Greaves about “Truckload of Art: The Life and Work of Terry Allen.”
Charlotte E. Rosen breaks down the political ramifications of Max’s “The Pitt” for subjects of an anti-expertise, anti-empathy fascist regime.
Tim Hirschel-Burns evaluates Friederike Otto’s “Climate Injustice: Why We Need to Fight Global Inequality to Combat Climate Change,” translated by Sarah Pybus.
Joshua Gutterman Tranen considers Sarah Schulman’s “The Fantasy and Necessity of Solidarity.”
Aaron Boehmer discusses the visual language of underground and alternative newspapers and how they subvert mainstream media through design.
Eric Newman speaks with Jon Hickey about his debut novel “Big Chief.”
Adam Morgan writes on the impact of Trump’s coup at the NEA for small publishers and literary magazines.
Michael Berry sees warning signs of the creep of AI into education and translation work.
Travis Alexander considers what Billy Wilder’s “Double Indemnity” can teach us about Luigi Mangione and the insurance crisis.
Nils Gilman reviews Mathew Burrows and Joseph Braml’s “World to Come: The Return of Trump and the End of the Old Order.”
Elaine Elinson reviews Kit Maude’s new translation of “We, the Casertas,” a novel by Argentine author Aurora Venturini.
Dr. Norrell Edwards considers the Trump administration’s termination of National Endowment for the Humanities grants.
Ruth Joffre reviews Debbie Urbanski’s story collection “Portalmania.”
Kyle Stevens examines the farce at the heart of the third season of HBO’s “The White Lotus.”