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Almost Like a Fairy Tale
Cory Oldweiler reviews German author Elena Fischer’s debut novel “Paradise Garden,” newly translated by Alexandra Roesch.
Archive
Revolution of Our Times
Graham J. Murphy considers Badiucao and Melissa Chan’s “You Must Take Part in Revolution.”
Bold Whispers, Ironic Subtexts
Tim Riley reviews the Guarneri Quartet’s “Complete RCA Album Collection.”
One Island, Many Histories
Michelle T. King reviews Catherine Lila Chou and Mark Harrison’s “Revolutionary Taiwan” and Anna Beth Keim’s “Heaven Does Not Block All Roads.”
Strange, Unforgettable Women
Sam Franzini climbs into Jessica Gross’s “Open Wide.”
If I Was Undercover Now I Wouldn’t Say
C. Francis Fisher investigates Richard Siken’s “I Do Know Some Things.”
Certain, but Not Final
Winnie Wang reviews Madeleine Hunt-Ehrlich’s debut feature “The Ballad of Suzanne Césaire.”
We Are Born with a Homing Beacon
Vesna Jaksic Lowe interviews Croatian author Lidija Hilje about her debut novel, “Slanting Towards the Sea.”
Only by Being Terrible Do They Avoid Being Comic
Sarah AlKahly-Mills explores James Bloodworth’s “Lost Boys: A Personal Journey Through the Manosphere.”
Poland as a State of Mind
Agnieszka Dale considers Antonia Lloyd-Jones’s new anthology “The Penguin Book of Polish Short Stories.”
Expanding the End of the World
Erin Giannini reviews “The End of the World as We Know It: New Tales of Stephen King’s ‘The Stand,’” edited by Christopher Golden and Brian Keene.
Consciousness Multiplied
Asa Drake reviews Harryette Mullen’s “Regaining Unconsciousness.”
Nicholas Boggs’s “James Baldwin: A Love Story”
Eric Newman speaks with Nicholas Boggs about his monumental new biography, “James Baldwin: A Love Story.”
No One Wants to Be the Supporting Character in Their Own Life
Adam Straus interviews Lucas Schaefer about his debut novel “The Slip.”
Bad Diagrams
Cassandra Seltman on the plumbing paintings of Harry Davies
Out of Language Comes Nothing and Everything
Jennifer Kabat writes on Lynne Tillman and her new collection, “Thrilled to Death.”
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