Wanting to Be Made New
Marissa Lorusso interviews Niko Stratis about her new book, “The Dad Rock That Made Me a Woman.”
Marissa Lorusso interviews Niko Stratis about her new book, “The Dad Rock That Made Me a Woman.”
Victoria Horrocks re-remembers Vanessa Bell.
In a preview from LARB Quarterly no. 44, “Pressure,” Sophia Stewart explores the poetry and politics of Julia de Burgos.
In this second of a two-part essay, Jonathan S. Blake considers two more recent books on the political rights of nonhuman beings.
Medaya Ocher is joined by TV writer, memoirist, and librettist Sarah LaBrie, author of the book “No One Gets to Fall Apart.”
Leo Lasdun examines Lydia Millet’s “Atavists.”
Greg Barnhisel reviews “Power Metal: The Race for the Resources That Will Shape the Future” by Vince Beiser.
In the eighth essay of the Legacies of Eugenics series, Pepper Stetler explores the troubling history of IQ tests and special education.
Friends, Romans, countrymen: Nathan Jefferson lends his ears (and eyes) to the immersive “Julius Caesar” production at Heritage Square Museum.
Sarah Yanni considers Rosie Stockton’s new book of poems, “Fuel.”
Yvonne Conza interviews Jill Bialosky about her new book, “The End Is the Beginning: A Personal History of My Mother.”
Cory Oldweiler considers German author Franziska Gänsler’s debut novel, “Eternal Summer,” newly translated by Imogen Taylor.
Kai Maristed reviews the new translation of Austro-German author Daniel Kehlmann’s 2023 novel “The Director,” translated by Ross Benjamin.
Oliver Wang interviews Euny Hong about her expanded edition of “The Birth of Korean Cool: How One Nation Is Conquering the World Through Pop Culture.”
Bathsheba Demuth reviews Ferris Jabr’s “Becoming Earth: How Our Planet Came to Life.”
Nathan Wainstein reexamines Naughty Dog’s 2020 game “The Last of Us Part II.”