Spooking the Censors
Michael O’Donnell reads Charlie English’s “The CIA Book Club: The Secret Mission to Win the Cold War with Forbidden Literature.”
Michael O’Donnell reads Charlie English’s “The CIA Book Club: The Secret Mission to Win the Cold War with Forbidden Literature.”
Nolan Kelly watches two movie adaptations of Sigrid Nunez novels, “The Room Next Door” and “The Friend.”
Michela Massimi reflects on Philip Kitcher’s vision for the future in “The Rich and the Poor.”
Mary Turfah writes on Gaza and the limits of the war photograph, in an essay from the upcoming issue of LARB Quarterly, no. 46: “Alien.”
Annelies Zijderveld inteviews Martín Espada about his new collection of poems, “Jailbreak of Sparrows.”
Carey Mott reviews Andrea Louise Campbell’s “Taxation and Resentment: Race, Party, and Class in American Tax Attitudes” and Ruth Braunstein’s “My Tax Dollars: The Morality of Taxpaying in America.”
Shaan Sachdev explores Pankaj Mishra’s “The World After Gaza: A History,” moral authority, and a generation of young dissenters.
Eric Newman speaks with director Sam Feder and producer Amy Scholder about their new documentary “Heightened Scrutiny.”
Winnie Code considers Andrew DeYoung’s debut feature film “Friendship.”
Tiff Dressen interviews Aaron Shurin about “Elixir: New and Selected Poems.”
Ben Arthur revisits a transformative moment in American culture through the lens of J. Hoberman’s “Everything Is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop.”
Tess Pollok interviews Olivia Kan-Sperling about her debut novel, “Little Pink Book.”
Michael Kurcfeld interviews Lawrence Lek about his Frieze London exhibition “Guanyin: Confessions of a Former Carebot.”
Cameron Engwall talks with Erica Peplin about “Work Nights,” her debut novel.
Geertje Bol and Jan Eijking review “Erased: A History of International Thought Without Men,” by Patricia Owens.
Michael Kobre considers the Fantastic Four superhero “The Thing” and Jack Kirby’s relationship to his own Judaism.