A Desperate Sadness and an Unapologetic Levity: On Jonathan Coe’s “Mr Wilder and Me”
The author’s latest novel is a love letter to one of his major aesthetic influences.
The author’s latest novel is a love letter to one of his major aesthetic influences.
Kate Wolf speaks with writer Kelefa Sanneh about his debut book, “Major Labels: A History of Popular Music in Seven Genres.”
Rooney’s new novel is redolent with the Irish verities of Catholicism and James Joyce.
Rooney’s third novel oscillates between the perspectives of two close female friends in their late 20s.
Dana Gioia discusses the dark, lonely life of one of America’s greatest poets, Edwin Arlington Robinson.
Mauricio Gonzalez-Aranda explores “the language of the landscape” in and with respect to his hometown of Ciudad Juárez.
Anandi Mishra overcomes the obstacles of language in “Learning Bengali.”
George Makari describes xenophobia’s complicated history as a concept, and reveals the curious role of a lone stenographer.
Justin Gautreau catches up with Richard Edwards, whose latest release is “Richard Edwards Sings the Margot & The Nuclear So and So’s, Songbook in Quarantine (Vol 1).”
Teow Lim Goh considers “Life in a Field” by Katie Peterson.
Minjie Chen on “Monkey King: Journey to the West” by Wu Cheng’en, translated by Julia Lovell.
Ross King talks with poet and biographer Molly Peacock about her latest work to bring the life of Canadian painter Mary Hiester Reid out of the shadows.
What a graphic novel about disaffected stoner monsters reveals about the political and economic crises of the pandemic.
Joe Amendola talks with Michael Cooperson about his translation of al-Ḥarīrī’s “Impostures,” available now from NYU Press.
Can academia and law enforcement occupy the same spaces? And if so, what’s the best way to proceed?