That Day: On Vince Passaro’s “Crazy Sorrow”
A novel of two New Yorkers in love, in the shadow of the Twin Towers.
A novel of two New Yorkers in love, in the shadow of the Twin Towers.
Scott Burton talks with Judith Freeman about her new novel, “MacArthur Park.”
Summer Farah considers “Rifqa” by Mohammed El-Kurd.
Priya Satia reviews Samuel Moyn’s latest book, “Humane: How the United States Abandoned Peace and Reinvented War.”
Making war more “humane” only makes it more likely.
A transcript of the panel discussion “Where’s ‘the Discourse’?” – a conversation in the Semipublic Intellectual Sessions, which took place on October 7.
Kate Wolf and Medaya Ocher are joined by writer and artist James Hannaham to discuss his latest book, “Pilot Impostor.”
Stephen Kessler offers a personal recollection of the bard turned men’s movement leader Robert Bly, who passed away last month at 94.
Skye C. Cleary reviews Myisha Cherry’s new book, “The Case for Rage: Why Anger Is Essential to Anti-Racist Struggle.”
A new novel set in Los Angeles chronicles a tenacious friendship and a deteriorating neighborhood.
Matt Lewis reviews “Five Decembers,” a globetrotting noir from James Kestrel.
The pandemic has highlighted the broken relationship between artists and the institutions that support them.
Robert Zaretsky admires the aesthetic and moral clarity of Laura Marris’s new translation of Camus’s “The Plague.”
Shruti Swamy discusses her debut novel, “The Archer.”
How an ancient human-to-animal metamorphosis might launch a shift in modern morals.