The Wrath of the Gods: Surviving the Pandemic with Petronius, Fitzgerald, and Eliot
The "Satyricon" shaped two of the most important texts of the 20th century — and the Petronian "anti-epic" is still funny, even during Covid.
The "Satyricon" shaped two of the most important texts of the 20th century — and the Petronian "anti-epic" is still funny, even during Covid.
Maddie Crum considers “Generations” by Lucille Clifton.
Tess Lewis presents her translations of Maja Haderlap’s poetic cycle “Seeing Vienna,” inspired by the photographs of Christine de Grancy.
Ashanti Anderson in conversation with I. S. Jones about their new chapbooks.
Summer Kim Lee reviews “The Loneliest Americans,” the new book by Jay Caspian Kang.
Brooke Clark situates Donna Tartt’s first novel, “The Secret History,” in the long, august history of burn books.
Aaron Poochigian confronts the political and technical challenges of translating “The Flowers of Evil” by Charles Baudelaire.
Robert Pogue Harrison speaks to Thomas Woltz, one of the nation’s leading landscape architects.
Reading Monica Huerta’s “Magical Habits,” Rosa Boshier wonders how to live a life alongside scholarship.
Rachel Jackson reviews Amanda Jayatissa’s new novel, “My Sweet Girl.”
A transcript of the panel discussion “What Comes After CRISPR?” – a satellite event of the Semipublic Intellectual Sessions, which took place on November 5.
Nicholas Carr shows how Jonas Bendiksen’s beautiful photographs “open a door onto a weird and unsettling future.”
Eugene Kwon examines how Hamaguchi Ryusuke thematizes traitorous adaptation in “Drive My Car,” a film reimagining of the short story by Murakami Haruki.
A collaborative polemic against rating-obsessed structures that inhibit good teaching and real learning.
A neurological and historical comparison of mass panics and euphorias.
Colin Marshall explores the difficulties of queer romance in Seoul in Sang Young Park's Novel "Love in the Big City."