Like a Cage: On Brian Tierney’s “Rise and Float”
Noah Warren considers “Rise and Float” by Brian Tierney.
Noah Warren considers “Rise and Float” by Brian Tierney.
Edith Wharton’s ghost stories show that there is nothing scarier than life (and death) under patriarchy.
Will Brewbaker goes through “A Hundred Lovers” by Richie Hofmann.
A Belarusian writer records daily life in the first days of the Ukrainian war.
Animating trans Latinx narratives and histories calls for a speculative mode.
Marek Makowski wends his way through Jennifer Croft’s translation of “The Books of Jacob,” a novel by Nobel laureate Olga Tokarczuk.
Widely despised at the end of his presidency, Harry Truman’s reputation has grown since.
A Russian author faces the war in Ukraine.
Nataliya Karageorgos reviews José Vergara's "All Future Plunges to the Past," a new book about James Joyce's influence on Russian literature.
An aggressive revisionist take on J. M. Coetzee’s classic novel “Disgrace.”
Brad Evans speaks with Carol Becker. A conversation in Brad Evans’s “Histories of Violence” series.
Matthew Eng recalls Abbey Lincoln’s intertwining legacies as singer, actress, and Black radical.
Martha M. F. Kelly, Katherine E. Young, and Olena Jennings translate three poems of war in Ukraine.
A story of the Dodgers' big move in 1958.
An engaging exhibition of the artist’s vivid canvases was mounted late last year in Los Angeles.
Suzanne Van Atten speaks with Heather Havrilesky about her forthcoming book, “Foreverland: On the Divine Tedium of Marriage,” about mostly happy marriages.