French Cigarettes and a Lot of Coffee: On Skye C. Cleary’s “How to Be Authentic”
Graham weighs the existence, and not the essence, of Cleary’s latest book on how to be authentic by Beauvoir’s measure.
Graham weighs the existence, and not the essence, of Cleary’s latest book on how to be authentic by Beauvoir’s measure.
Lauren Nelson evaluates “The Employees,” a novel by Olga Ravn translated by Martin Aitken.
Jan Schwarz celebrates the appearance of “From the Vilna Ghetto to Nuremberg: Memoir and Testimony” by Avrom Sutzkever, translated from the Yiddish by Justin Cammy.
Scott W. Stern explores the antiheroes of gay history in Huw Lemmey and Ben Miller’s “Bad Gays: A Homosexual History.”
Novelist and New Yorker staff writer Elif Batuman joins Kate Wolf to discuss her latest book, “Either/Or.”
Shane Anderson on his new book, “After the Oracle,” an unusual hybrid of memoir, sports journalism, and self-help book.
The changing, rippling, contentious American flag.
Shannon Nakai travels through “The Science of Departures,” a book of poems by Adalber Salas Hernández, translated by Robin Myers.
Smith’s new novel tests what a “pandemic novel” and a “pandemic author” might be.
Leslie Monsour navigates the waters of youth and adulthood in “The Discarded Life,” a book-length poem by Adam Kirsch.
A gathering of 23 public lectures by the Nobel Prize–winning Chinese storyteller.
Antonio J. Ferraro responds to Richard Joseph on the state of contemporary literary criticism, online and elsewhere.
The poet discusses his new book, “A Quilt for David,” about the scapegoating of a gay dentist in 1990s Florida.
In her new memoir, the poet turns traumatic family tragedy into an elegantly honest dream chronicle.
Matthew Eatough assesses two new books by Joe Cleary, “Modernism, Empire, World Literature” and “The Irish Expatriate Novel in Late Capitalist Globalization.”