Memory Dismembered
Kurt Guldentops and Sungshin Kim review Bora Chung’s “Red Sword,” newly translated by Anton Hur.
Kurt Guldentops and Sungshin Kim review Bora Chung’s “Red Sword,” newly translated by Anton Hur.
Martin Dolan explores labor, trade, and shared humanity in Craig Thompson’s “Ginseng Roots.”
Ari Braverman writes about a woman exiled to the countryside, in a short story from LARB Quarterly no. 46: “Alien.”
Isabel Jacobs considers Aaron Schuster’s “How to Research Like a Dog: Kafka’s New Science.”
Chris Kraus joins Kate Wolf to talk about her new novel, “The Four Spent the Day Together.”
Harrison Blackman discusses the aesthetics and politics of Greek cinema’s Weird Wave.
Leah Umansky offers a treatise on living among nature, in a poem from LARB Quarterly no. 46: “Alien.”
Oliver Evans reviews Will Sloan’s new biography “Ed Wood: Made in Hollywood USA.”
Michael Kurcfeld interviews Elmgreen & Dragset on the occasion of their new exhibition at Pace Gallery Los Angeles.
Rickey Laurentiis dissects identity and gender in two poems from LARB Quarterly no. 46: “Alien.”
Jacquelyn Ardam considers Francesca Wade’s “Gertrude Stein: An Afterlife.”
Nico Amador traces abandoned lineages, in a poem from LARB Quarterly no. 46: “Alien.”
Justin St. Clair reviews Thomas Pynchon’s new novel “Shadow Ticket.”
In a poem from LARB Quarterly no. 46: “Alien,” aracelis girmay encounters the self as a wild animal.
Julien Crockett discusses cognition and metaphors with George Lakoff and Srini Narayanan, authors of “The Neural Mind: How Brains Think,” in a new installment of the series The Rules We Live By.
Timothy Donnelly imagines the daunting task of encapsulating humanity’s woes, in a poem from LARB Quarterly no. 46: “Alien.”