Incendiary
Charley Burlock interrogates the myths surrounding wildfires, grief, and California's supposed “gasoline trees” in an essay from LARB Quarterly no. 45: “Submission.”
Charley Burlock interrogates the myths surrounding wildfires, grief, and California's supposed “gasoline trees” in an essay from LARB Quarterly no. 45: “Submission.”
Kristen R. Ghodsee considers the anti-communist contexts that birthed the alt-right, in a review of Quinn Slobodian’s new book “Hayek’s Bastards.”
Paul Thompson reviews Nathan Fielder’s “The Rehearsal.”
Ted Barrow visits Lisa Jo’s exhibit “Ecology of Fear” at Gallery Wendi Norris.
Jack Lubin considers state censorship and New Orleans rapper B.G.’s album “Freedom of Speech,” in a preview of LARB Quarterly no. 45: “Submission.”
Andrew Stojkovich reviews Andreas Elpidorou’s “The Anatomy of Boredom.”
Jordan Brower considers the abjuring of depth undertaken by the Apple TV+ series “Severance.”
Jane Hayward reads two recent books on China’s post-Mao reform period.
Annie Berke watches Celine Song’s new film “Materialists” and the Netflix show “With Love, Meghan.”
Reece Sisto reviews Jeff Weiss’s “Waiting for Britney Spears.”
Dan O’Sullivan traces the legacy of right-wing ideologies in California.
Jay Murphy reviews “Ghassan Kanafani: Selected Political Writings,” a collection of newly translated essays by the influential Palestinian philosopher, author, and activist.
Susan Choi joins Kate Wolf and Medaya Ocher to speak about her new novel, “Flashlight.”
Yousef Srour traces the abstraction of death in post-9/11 America.
Colin Marshall reviews two books about the past and present of the Chinese writing system.
Laurie Winer assesses Damion Searls’s new translation of “The Third Reich of Dreams: Nightmares of a Nation” by Charlotte Beradt.