It Is Civil War
Conor Williams on the legacy and continued relevance of the activist art collective Gran Fury.
Conor Williams on the legacy and continued relevance of the activist art collective Gran Fury.
Devin Thomas O’Shea reviews Patty Heyda’s “Radical Atlas of Ferguson, USA.”
Alexander Chee writes the second installment of the column I Come Here Often, from LARB Quarterly no. 45: “Submission.”
Maya Binyam writes the first installment of the column I Come Here Often, from LARB Quarterly no. 44: “Pressure.”
Cameron Engwall talks with Cora Lewis about “Information Age,” her debut novella.
In her first work of memoir, acclaimed author Arundhati Roy recounts her remarkable life, tracing in particular her complicated relationship to her mother Mary. Vulnerable, compassionate, and sagacious at once, the LARB Book Club Fall 2025 pick is “Mother Mary Comes to Me” by Arundhati Roy.
Erin Taylor writes about a reclusive Hollywood couple in a short story from LARB Quarterly no. 45: “Submission.”
Tess Pollok interviews Adam Ross about his novel "Playworld."
Brendan Boyle considers Jesse Armstrong’s “Mountainhead.”
Grace Byron considers Lorde’s “Virgin” and the gauntlet we lay for our pop stars.
Nate Rogers revisits Larry McMurtry’s barn burner “Lonesome Dove,” which turned 40 this year and is experiencing a renaissance.
Cory Bradshaw describes the art and agony involved in making amateur porn in an essay for LARB Quarterly no. 45: “Submission.”
Leah Dworkin interviews Harris Lahti about his debut novel, “Foreclosure Gothic.”
Ryan Bedsaul writes on “The Phoenician Scheme” and Wes Anderson’s late style.
The LARB Quarterly no. 45, “Submission,” presents a new poem by Harryette Mullen.
Medaya Ocher and Eric Newman speak with Traci Thomas, host of the “The Stacks” podcast.