This Fabulous, Little-Known Place: On Judita Šalgo’s “The Road to Birobidzhan”
Sibelan Forrester reviews Judita Šalgo’s novel “The Road to Birobidzhan,” translated by John K. Cox.
Sibelan Forrester reviews Judita Šalgo’s novel “The Road to Birobidzhan,” translated by John K. Cox.
Marcus McGee contextualizes Fernanda Melchor’s “Paradais,” translated by Sophie Hughes.
Mary Mykhaylova reports on how the Russian invasion of Ukraine has impacted the lives and self-identities of Ukrainians abroad.
Paul Allen evaluates John F. Haught’s “God After Einstein.”
Jeannine Burgdorf reviews Hayley Campbell’s new book “All the Living and the Dead.”
Doug Davis explores the Urban Nuclei of Michael Bishop's "The City and the Cygnets."
Marit J. MacArthur and her colleagues dive deep into the particularities of spoken word performance and its reception.
Alex Espinoza talks with Alejandro Varela about his debut novel, “The Town of Babylon.”
Ed Pulford considers Katie Stallard’s “Dancing on Bones” and Joseph W. Esherick’s “Accidental Holy Land.”
Eric Newman on Édouard Louis's "A Woman’s Battles and Transformations."
Samantha Mann talks with R/B Mertz about their memoir, “Burning Butch.”
Tara Cheesman reviews Javier Cercas’s “Even the Darkest Night,” translated by Anne McLean, in which the Spanish author introduces readers to detective Melchor Marín.
Yangyang Cheng reviews Ruth Rogaski’s “Knowing Manchuria: Environments, the Senses, and Natural Knowledge on an Asian Borderland” and Victor Seow’s “Carbon Technocracy: Energy Regimes in Modern East Asia.”
Anne Goldman untangles the jungle of thoughts in Werner Herzog’s novel, “The Twilight World.”