When a Girl Is a Gun: On Joanna Walsh’s “My Life as a Godard Movie”
Jamie Hood reviews Joanna Walsh’s memoir-critical hybrid, “My Life as a Godard Movie.”
Jamie Hood reviews Joanna Walsh’s memoir-critical hybrid, “My Life as a Godard Movie.”
Daniel A. Olivas speaks with Gabino Iglesias about his new novel “The Devil Takes You Home.”
Stephen Rohde reviews Erwin Chemerinsky’s “Worse Than Nothing: The Dangerous Fallacy of Originalism.”
Jesse Robertson considers the legacy of insomnia-prone radio host Art Bell.
José Luis Benavides reviews “Abecedario de Juárez: An Illustrated Lexicon” by Julián Cardona and Alice Leora Briggs, with translations by Alice L. Driver.
Alec Pollak reviews Ada Calhoun’s ”Also a Poet: Frank O'Hara, My Father, and Me.”
Danielle Hayden discusses the writing process, horror, hobbies, and humor with R. L. Stine upon the release of his new children’s horror collection, “Stinetinglers: All New Stories by the Master of Scary Tales.”
Siham Karami reviews David Mason’s new collection of poems, “Pacific Light.”
Shinjini Dey reviews M. E. O’Brien and Eman Abdelhadi’s “Everything for Everyone.”
Esther Allen reports on the state of PEN America.
Dionne Irving joins Eric Newman to talk about her debut story collection, “The Islands.”
Paul Thompson reviews Todd Field’s “TÁR.”
J. E. Smyth commemorates a landmark anniversary of forgotten screenwriter and guild president, the sharp-tongued, blacklisted Mary McCall.
Vesper North considers Gene Andrew Jarrett’s updated biography, “Paul Laurence Dunbar: The Life and Times of a Caged Bird.”
Jack Mearns reviews the surreal, deadpan noir of Michael Fessier’s “Fully Dressed and in His Right Mind.”