If I Was Undercover Now I Wouldn’t Say
C. Francis Fisher investigates Richard Siken’s “I Do Know Some Things.”
C. Francis Fisher investigates Richard Siken’s “I Do Know Some Things.”
Winnie Wang reviews Madeleine Hunt-Ehrlich’s debut feature “The Ballad of Suzanne Césaire.”
Vesna Jaksic Lowe interviews Croatian author Lidija Hilje about her debut novel, “Slanting Towards the Sea.”
Sarah AlKahly-Mills explores James Bloodworth’s “Lost Boys: A Personal Journey Through the Manosphere.”
Agnieszka Dale considers Antonia Lloyd-Jones’s new anthology “The Penguin Book of Polish Short Stories.”
Erin Giannini reviews “The End of the World as We Know It: New Tales of Stephen King’s ‘The Stand,’” edited by Christopher Golden and Brian Keene.
Asa Drake reviews Harryette Mullen’s “Regaining Unconsciousness.”
Eric Newman speaks with Nicholas Boggs about his monumental new biography, “James Baldwin: A Love Story.”
Adam Straus interviews Lucas Schaefer about his debut novel “The Slip.”
Cassandra Seltman on the plumbing paintings of Harry Davies
Jennifer Kabat writes on Lynne Tillman and her new collection, “Thrilled to Death.”
Emily Wells and Aaron Bornstein talk with John Tottenham about his debut novel, “Service.”
Hamilton Cain reviews Gary Shteyngart’s “Vera, or Faith.”
Rhoda Kwan reviews two newly translated novels reckoning with China’s bloody past, Fang Fang’s “Soft Burial” and Tsering Döndrup’s “The Red Wind Howls.”
Mitchell Abidor reviews the reprint edition of Roger Shattuck’s “The Forbidden Experiment: The Story of the Wild Boy of Aveyron.”
Edward Watts reviews Josiah Osgood’s “Lawless Republic: The Rise of Cicero and the Decline of Rome.”