Writing to Liberate Yourself
Matthew K. Ritchie interviews Lawrence Burney about his new book, “No Sense in Wishing.”
Matthew K. Ritchie interviews Lawrence Burney about his new book, “No Sense in Wishing.”
Tess Pollok interviews Zoe Dubno about her debut novel, “Happiness and Love.”
Zach Gibson reviews Hayden White’s second volume of “The Ethics of Narrative: Essays on History, Literature, and Theory.”
Martha Ronk thinks about Kristen Case’s “Daphne.”
Tammy Lai-Ming Ho explores Ho Sok Fong’s “Lake Like a Mirror,” translated by Natascha Bruce, and Lau Yee-Wa’s “Tongueless,” translated by Jennifer Feeley.
Miyo McGinn conducts a circuitous Q and A with “The Way Around: A Field Guide to Going Nowhere” author Nicholas Triolo.
Tadhg Hoey considers Ben Ratliff’s “Run the Song: Writing About Running About Listening.”
Mahika Dhar reviews two classics of Chinese literature: Kong Shangren’s “The Peach Blossom Fan” and Zhang Yingyu’s “More Swindles from the Late Ming.”
Eric Newman and Medaya Ocher are joined by Mosab Abu Toha, a Palestinian poet, short-story writer, and essayist, to talk about his new book, “Forest of Noise.”
Vivien Chang reviews Howard W. French’s “The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide.”
Dashiel Carrera considers Han Kang, sleep, and the Velvet Underground.
Cory Oldweiler reviews German author Elena Fischer’s debut novel “Paradise Garden,” newly translated by Alexandra Roesch.
Graham J. Murphy considers Badiucao and Melissa Chan’s “You Must Take Part in Revolution.”
Tim Riley reviews the Guarneri Quartet’s “Complete RCA Album Collection.”
Michelle T. King reviews Catherine Lila Chou and Mark Harrison’s “Revolutionary Taiwan” and Anna Beth Keim’s “Heaven Does Not Block All Roads.”
Sam Franzini climbs into Jessica Gross’s “Open Wide.”