The Air We Breathe Is Holy: Exvangelical Indie Rock
In a preview of LARB Quarterly no. 39: “Air,” Matthew Mullins explores exvangelical indie rock and reevaluates his own identity within the American evangelical movement.
In a preview of LARB Quarterly no. 39: “Air,” Matthew Mullins explores exvangelical indie rock and reevaluates his own identity within the American evangelical movement.
Tadhg Hoey reviews Andrew Lipstein’s “The Vegan.”
Heather Cass White reviews Robyn Schiff’s new book of poetry, “Information Desk: An Epic.”
Julien Crockett interviews Robert M. Sapolsky, author of “Determined: A Science of Life Without Free Will.”
Melissa Ridley Elmes reviews Chuck Wendig’s “Black River Orchard.”
Arundhati Roy accepts the Charles Veillon Foundation’s 45th European Essay Prize for lifetime achievement.
C. Francis Fisher reviews Elisa Gonzalez’s “Grand Tour.”
Danielle Clough reviews Slow Pulp and Babehoven, finding that waiting lines can be shorter than expected when you're ahead of the curve.
LARB Editor-in-Chief Michelle Chihara and Executive Director Irene Yoon speak with author Lydia Kiesling about her novel “Mobility,” this fall’s LARB Book Club selection.
Anne Anlin Cheng recalls her first, foreign Barbie experience.
In a preview of the new LARB Quarterly, no. 39: “Air,” Meghan Racklin considers the life and imperfectly rendered image of Empress Elisabeth of Austria.
Mark Tseng-Putterman reviews Claire Jean Kim’s “Asian Americans in an Anti-Black World.”
Jason Namey takes another look at the Coen brothers’ “The Big Lebowski” for its 25th anniversary.
Nicolle Alzamora reviews Joan Flores-Villalobos’s “The Silver Women: How Black Women’s Labor Made the Panama Canal.”