The Hand That Feeds: Olivier Zunz’s “Philanthropy in America”
Zunz’s may be a history of American philanthropy, but it is, by any reasonable contemporary standard, the wrong one.
Zunz’s may be a history of American philanthropy, but it is, by any reasonable contemporary standard, the wrong one.
It can be entertaining, disordered, ruminative, wider in range than Houellebecq’s previous books
One can only wonder what it would have been had Houellebecq actually believed in the novel as an art form.
Let’s say it’s 1978 and you are Dan J. Marlowe, once one of the hottest suspense novelists of your day
In the forefront of calls for democracy in China, Liu has engaged in various forms of dissent.
In his latest book, God is Red, Liao continues his study of the bottom rung of society by focusing on underground Christian communities in China.
While the cannibal was a prize specimen for theories of the state and human nature, he also posed a grave problem.
Racial difference was an integral part of Linsanity since the beginning and, as the phenomenon grew, the issue would continue to snowball.
First and foremost, however, These Dreams of You may well be the first true Obama novel.
Russians applauded. They wanted order and didn’t mind if Putin suspended civil rights to provide it.
In truth, it is the ones who uncritically embrace new technical innovations that are being naïve and idealistic.
Bainbridge’s point is that modernity will tell us little and the people who record it, even less.
It’s hard not to read this as a profession of artistic faith, of Schulz’s conviction in an art made out of scraps and remnants.
Today in China, individualism and pluralism thrive as never before. But, all in all, it is an opportunistic and self-regarding individualism.
Food could be more than nourishment; it could express ideas about form and function. It could be art.
Mamoulian, perhaps more than anyone else, defined the original racial landscape that became the setting for Porgy and Bess.