Negative Space: Close Reading Trauma Porn
Maya Gurantz dissects the structure and comes to terms with the compulsive appeal of streaming abuse documentary series.
"Life doesn't imitate art, it imitates bad television." —Woody Allen
Maya Gurantz dissects the structure and comes to terms with the compulsive appeal of streaming abuse documentary series.
Maya GurantzApr 15, 2021
In an excerpt from The Generic Closet: Black Gayness and the Black-Cast Sitcom, Alfred L. Martin Jr. explores the politics of writers' rooms.
Alfred L. Martin Jr.Apr 7, 2021
From The Princess and the Frog to Soul, Hope Wabuke asks why can't Disney let Black characters play Black characters?
Hope WabukeMar 23, 2021
Min Hyoung Song considers the nineteenth-century world of Cinemax's martial arts series Warrior in light of contemporary Anti-Asian violence.
Min Hyoung SongMar 22, 2021
In the wake of their spectacular Grammy performance, Michelle Cho reads the ultra-mediated nostalgia of Korean pop group BTS on American TV.
Michelle ChoMar 16, 2021
Matt Seybold on what Dave Chappelle's return tells us about celebrity and corporate power.
Matt SeyboldFeb 19, 2021
Sasha Ann Panaram seeks out the easily skipped, potentially transgressive soundtrack playing at the edges of Netflix's The Crown.
Sasha Ann PanaramFeb 16, 2021
Anna Krauthamer explores the rigid oscillation between the stark content warnings and ambiguous aesthetics of FX on Hulu's A Teacher.
Anna KrauthamerFeb 9, 2021
Jorge Cotte explores the fraught speculations of HBO's series Industry alongside the recent GameStop stock trading frenzy.
Jorge CotteFeb 2, 2021
Philippa Snow writes in praise of Kaley Cuoco's stunning, elastic, fleet-footed performance in the HBO Max thriller The Flight Attendant.
Philippa SnowJan 26, 2021
Sara Black McCulloch considers the nature of the concert film — its scope, its liveness, and its political commitments.
Sara Black McCullochDec 30, 2020
Patricia A. Matthew examines the multicultural Regency era of Shonda Rhimes's new Netflix series Bridgerton.
Patricia A. MatthewDec 26, 2020