The Way We Laugh Now: On I Think You Should Leave
Adam Fales watches I Think You Should Leave and asks what's so funny about sad men telling massive lies to themselves and others?
"Life doesn't imitate art, it imitates bad television." —Woody Allen
Adam Fales watches I Think You Should Leave and asks what's so funny about sad men telling massive lies to themselves and others?
Adam FalesOct 11, 2021
Ed Simon reviews Netflix's The Chair and considers the academic obsession with fictional portrayals of the academy.
Ed SimonSep 21, 2021
Phillip Maciak explores the extraordinary niche that “City of Ghosts” occupies in Netflix’s varied animated programming.
Phillip MaciakJun 24, 2021
Joshua Glick considers the differentiation strategies of the streaming platforms in historical context.
Joshua GlickJun 24, 2021
On “The Underground Railroad,” illumination travels across media, refracting and shapeshifting.
Jorge CotteJun 24, 2021
Kristen Warner explores the “illusion [of] the democratizing, diverse ideal of streaming.”
Kristen WarnerJun 24, 2021
Michael Szalay on what the rise of streaming platforms and their dark family dramas tell us about the US flagging empire.
Michael SzalayJun 23, 2021
Albert Wu and Michelle Kuo explore how Cobra Kai manages to tackle American empire, wealth disparity, and rising fascism without cynicism.
Albert Wu, Michelle KuoJun 8, 2021
Hannah Manshel and Margaret A. Miller explore the various colonial and anti-colonial valances of Amazon's The Wilds.
Hannah Manshel, Margaret A. MillerMay 22, 2021
Philippa Snow watches Hulu's Framing Britney Spears and a few other films about the destruction of women at the hands of hateful men.
Philippa SnowMay 18, 2021
In the wake of Michael Apted's passing, Claire Marie Healy revisits the director's most lasting monument: the sprawling, poetic Up series.
Claire Marie HealyApr 21, 2021
Peter Coviello misses his family in New Jersey — and everything else in the pandemic year — through a full rewatch of The Sopranos.
Peter CovielloApr 19, 2021