Streaming Enthusiasm and the Industrious Family Drama
Michael Szalay on what the rise of streaming platforms and their dark family dramas tell us about the US flagging empire.
"Life doesn't imitate art, it imitates bad television." —Woody Allen
Michael Szalay on what the rise of streaming platforms and their dark family dramas tell us about the US flagging empire.
Michael SzalayJun 23, 2021
Albert Wu and Michelle Kuo explore how Cobra Kai manages to tackle American empire, wealth disparity, and rising fascism without cynicism.
Albert Wu, Michelle KuoJun 8, 2021
Hannah Manshel and Margaret A. Miller explore the various colonial and anti-colonial valances of Amazon's The Wilds.
Hannah Manshel, Margaret A. MillerMay 22, 2021
Philippa Snow watches Hulu's Framing Britney Spears and a few other films about the destruction of women at the hands of hateful men.
Philippa SnowMay 18, 2021
In the wake of Michael Apted's passing, Claire Marie Healy revisits the director's most lasting monument: the sprawling, poetic Up series.
Claire Marie HealyApr 21, 2021
Peter Coviello misses his family in New Jersey — and everything else in the pandemic year — through a full rewatch of The Sopranos.
Peter CovielloApr 19, 2021
Maya Gurantz dissects the structure and comes to terms with the compulsive appeal of streaming abuse documentary series.
Maya GurantzApr 15, 2021
In an excerpt from The Generic Closet: Black Gayness and the Black-Cast Sitcom, Alfred L. Martin Jr. explores the politics of writers' rooms.
Alfred L. Martin Jr.Apr 7, 2021
From The Princess and the Frog to Soul, Hope Wabuke asks why can't Disney let Black characters play Black characters?
Hope WabukeMar 23, 2021
Min Hyoung Song considers the nineteenth-century world of Cinemax's martial arts series Warrior in light of contemporary Anti-Asian violence.
Min Hyoung SongMar 22, 2021
In the wake of their spectacular Grammy performance, Michelle Cho reads the ultra-mediated nostalgia of Korean pop group BTS on American TV.
Michelle ChoMar 16, 2021
Matt Seybold on what Dave Chappelle's return tells us about celebrity and corporate power.
Matt SeyboldFeb 19, 2021