Call Me By No Name: On "Rebecca"
Tania Modleski watches new Netflix's adaptation of Rebecca and tracks the puzzling misreadings and misleadings of its source material.
"Life doesn't imitate art, it imitates bad television." —Woody Allen
Tania Modleski watches new Netflix's adaptation of Rebecca and tracks the puzzling misreadings and misleadings of its source material.
Tania ModleskiDec 23, 2020
Sophia Stewart reviews “Laura’s Ghost,” a feminist-ethnographic collection revisiting the gender politics of “Twin Peaks,” the series and the film.
Sophia StewartNov 3, 2020
Matthew Tchepikova-Treon returns to the under-appreciated institutional melodrama of David Simon's The Deuce one year later.
Matthew Tchepikova-TreonOct 28, 2020
Erik Morse interviews Iranian American actress and performance artist Sheila Vand.
Erik MorseSep 25, 2020
Rebecca Wanzo describes how Michaela Coel's HBO series about trauma and recovery uses laughter to defiantly resist despair.
Rebecca WanzoSep 22, 2020
Sam Moore watches reruns of Friends and Couplings only to find two shows defined by their own rigid definitions of gender and sexuality.
Sam MooreSep 15, 2020
On the evolution of the figure of the public intellectual in the internet age.
Robert DaselerSep 13, 2020
Namrata Verghese asks why everybody on Netflix's mind-bending time travel series Dark is white and why whiteness structures even its alternate worlds.
Namrata VergheseSep 7, 2020
TV scholar Michael Z. Newman reflects on the similarity between the NBA bubble at Disney World and the classic form of the sitcom.
Michael Z. NewmanAug 18, 2020
ESPN’s documentary “The Last Dance” is an “untold story” we’ve all heard a million times.
Hal SundtAug 15, 2020
Philippa Snow binges the reckless hearts and alarmist boomerisms of Netflix's reality dating sensation Too Hot To Handle.
Philippa SnowAug 7, 2020
Rijuta Mehta considers the reality TV tropes, documentary pretense, and pervasive purity politics of Netflix's newest dating show.
Rijuta MehtaJul 31, 2020