Noir for the Anthropocene: On Elspeth Barker’s “O Caledonia”
Chelsea Jack Fitzgerald reviews Elspeth Barker’s “O Caledonia,” a Scottish noir interested in the connections between different types of anthropogenic damage.
"The cheaper the crook, the gaudier the patter, eh?" — Dashiell Hammett
Chelsea Jack Fitzgerald reviews Elspeth Barker’s “O Caledonia,” a Scottish noir interested in the connections between different types of anthropogenic damage.
Chelsea FitzgeraldDec 26, 2022
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Marcus McGee contextualizes Fernanda Melchor’s “Paradais,” translated by Sophie Hughes.
Marcus McGeeAug 28, 2022
Tara Cheesman reviews Javier Cercas’s “Even the Darkest Night,” translated by Anne McLean, in which the Spanish author introduces readers to detective Melchor Marín.
Tara CheesmanAug 24, 2022
W. R. Burnett’s multifarious fiction exposed the fatal emptiness of American ambition.
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Glenn Harper reviews Dervla McTiernan’s “The Murder Rule,” a legal thriller about a law student’s complicated personal ties with a project that’s working to overturn a convicted murderer’s death sentence.
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Michael Nava reads Katherine V. Forrest’s “Delafield” and explains why Forrest is an icon of lesbian fiction.
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