Ghosts of Grief: On S. A. Cosby’s “Razorblade Tears”
Gabino Iglesias takes a look at the grief and guilt that propel S. A. Cosby’s “Razorblade Tears.”
"The cheaper the crook, the gaudier the patter, eh?" — Dashiell Hammett
Gabino Iglesias takes a look at the grief and guilt that propel S. A. Cosby’s “Razorblade Tears.”
Gabino IglesiasOct 24, 2021
Collin Mitchell examines the hazy disquietude of Sébastien Japrisot’s “Rider on the Rain.”
Collin MitchellOct 13, 2021
The celebrated horror novelist is rapidly becoming one of our best contemporary crime writers.
Rob LathamOct 11, 2021
Tara Cheesman reviews “Tokyo Redux,” the final installment of David Peace’s Tokyo Trilogy.
Tara CheesmanOct 9, 2021
Jack Mearns explores the life and work of John Sanford, an oft-neglected 20th-century American writer who wrote incisive novels addressing American society.
Jack MearnsSep 22, 2021
Désirée Zamorano reviews Naomi Hirahara’s “Clark and Division,” a novel set in a community of Japanese Americans recently released from an internment camp.
Désirée ZamoranoSep 15, 2021
Daneet Steffens talks with Julia Dahl about the inspiration behind “The Missing Hours,” her latest novel.
Daneet SteffensSep 15, 2021
Savy Janssen scopes out two new noir novels with female leads, S. A. Lelchuk’s “One Got Away” and Halley Sutton’s “The Lady Upstairs.”
Savy JanssenAug 27, 2021
Larissa Dooley reviews Lou Mathews’s “Shaky Town,” a novel made of several interlocking stories set in East L.A.
Larissa DooleyAug 24, 2021
Halley Sutton interviews Barbara DeMarco-Barrett, editor of the upcoming anthology collection “Palm Springs Noir.”
Halley SuttonAug 8, 2021
Carissa Chesanek examines the close quarters that form “Intimacies,” Katie Kitamura’s latest.
Carissa ChesanekJul 20, 2021
Daneet Steffens talks with Chris Offutt about how his hometown in Eastern Kentucky inspired “The Killing Hills,” his first crime novel.
Daneet SteffensJul 20, 2021