Company in the Void: On Catherine Barnett’s “Solutions for the Problem of Bodies in Space”
James Ciano reviews Catherine Barnett’s “Solutions for the Problem of Bodies in Space.”
Gender & Sexuality
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Sluts in Form and Content: A Conversation Between Sarah Yanni and Michelle Tea
Sarah Yanni talks with Michelle Tea about her new anthology “SLUTS.”
A Red Flag for a Bull: On Constance Debré’s “Playboy”
Lazz Kinnamon reviews Constance Debré's "Playboy."
Frame Tale: On Christine Smallwood’s “La Captive” and Chantal Akerman
Lori Marso reviews Christine Smallwood’s book on “La Captive” (Chantal Akerman, 2000).
Porn Star and Feminist: On Jane Kamensky’s “Candida Royalle and the Sexual Revolution”
Fred Turner reviews Jane Kamensky’s “Candida Royalle and the Sexual Revolution: A History from Below.”
I Wrong Form: On Cindy Juyoung Ok’s “Ward Toward”
Chloe Xiang reviews Cindy Juyoung Ok’s “Ward Toward.”
Through a Grid, Darkly: On Anna Shechtman’s “The Riddles of the Sphinx”
Adrienne Raphel reviews Anna Shechtman’s “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle.”
The Past Is Present: A Conversation with Tracy Fuad
Meg Miller interviews Tracy Fuad about “Portal.”
No More Hunger and Thirst? On Barbra Streisand’s “My Name Is Barbra”
Dolores McElroy reviews Barbra Streisand’s memoir “My Name Is Barbra.”
The Ethics and Erotics of Permission: On Manon Garcia’s “The Joy of Consent”
Anna Katharina Schaffner reviews Manon Garcia’s “The Joy of Consent: A Philosophy of Good Sex.”
Whose (Who’s) Shakespeare? On Amelia Rosselli’s “Sleep”
Taylor Yoonji Kang reviews Amelia Rosselli’s “Sleep.”
Outgrowing Melodrama: On Todd Haynes’s “May December”
Victoria Wiet looks at “May December” as a melodrama that exceeds the genre’s ideological limits and binaries.
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