Dispelling the “Stink of Love”: On the Ken-ification of Rainer Werner Fassbinder’s “Querelle”
David A. Gerstner considers the sterilized presentation of Rainer Werner Fassbinder’s “Querelle” in its new rerelease.
"As far as I'm concerned, being any gender is a drag." — Patti Smith
David A. Gerstner considers the sterilized presentation of Rainer Werner Fassbinder’s “Querelle” in its new rerelease.
David A. GerstnerJun 12, 2024
Marion Thain analyzes Yorgos Lanthimos’s film “Poor Things” in the context of Julie Wosk’s new book “Artificial Women: Sex Dolls, Robot Caregivers, and More Facsimile Females.”
Marion ThainJun 10, 2024
Juno Richards reviews Jules Gill-Peterson’s “A Short History of Trans Misogyny.”
Juno RichardsJun 10, 2024
Claudia Casper reviews Sarah Blaffer Hrdy’s “Father Time: A Natural History of Men and Babies.”
Claudia CasperJun 4, 2024
Gabriel X. Hendrix reviews Gil Cuadros’s “My Body is Paper.”
Gabriel X. HendrixJun 3, 2024
Isabel Bartholomew reviews Grace Lavery’s “Closures: Heterosexuality and the American Sitcom.”
Isabel BartholomewMay 25, 2024
Diana Arterian reviews Alison C. Rollins’s “Black Bell.”
Diana ArterianMay 19, 2024
Tiffany Troy interviews poet Morgan Parker about her debut book of essays, “You Get What You Pay For.”
Tiffany TroyMay 11, 2024
Kristen Malone Poli examines the true hunger at the heart of the divorce plot.
Kristen Malone PoliMay 9, 2024
James Ciano reviews Catherine Barnett’s “Solutions for the Problem of Bodies in Space.”
James CianoMay 7, 2024
Sarah Yanni talks with Michelle Tea about her new anthology “SLUTS.”
Sarah YanniMay 5, 2024
Lazz Kinnamon reviews Constance Debré's "Playboy."
Lazz KinnamonApr 9, 2024