Frame Tale: On Christine Smallwood’s “La Captive” and Chantal Akerman
Lori Marso reviews Christine Smallwood’s book on “La Captive” (Chantal Akerman, 2000).
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Lori Marso reviews Christine Smallwood’s book on “La Captive” (Chantal Akerman, 2000).
Lori MarsoApr 4, 2024
Fred Turner reviews Jane Kamensky’s “Candida Royalle and the Sexual Revolution: A History from Below.”
Fred TurnerMar 28, 2024
Chloe Xiang reviews Cindy Juyoung Ok’s “Ward Toward.”
Chloe XiangMar 19, 2024
Adrienne Raphel reviews Anna Shechtman’s “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword Puzzle.”
Adrienne RaphelMar 14, 2024
Meg Miller interviews Tracy Fuad about “Portal.”
Meg MillerMar 11, 2024
Dolores McElroy reviews Barbra Streisand’s memoir “My Name Is Barbra.”
Dolores McElroyMar 6, 2024
Anna Katharina Schaffner reviews Manon Garcia’s “The Joy of Consent: A Philosophy of Good Sex.”
Anna Katharina SchaffnerFeb 22, 2024
Taylor Yoonji Kang reviews Amelia Rosselli’s “Sleep.”
Taylor Yoonji KangFeb 22, 2024
Victoria Wiet looks at “May December” as a melodrama that exceeds the genre’s ideological limits and binaries.
Victoria WietFeb 15, 2024
Violet Spurlock’s “In Lieu of Solutions” is reviewed by charles theonia.
charles theoniaFeb 11, 2024
Brianna Di Monda reviews William Oldroyd’s cinematic adaptation of Ottessa Moshfegh’s novel “Eileen.”
Brianna Di MondaFeb 9, 2024
Katie Berta reviews Gregory Pardlo’s “Spectral Evidence.”
Katie BertaFeb 1, 2024