BTS: Permission to Desire
Rani Neutill discusses the euphoric affect of BTS for Gen-X women.
"As far as I'm concerned, being any gender is a drag." — Patti Smith
Rani Neutill discusses the euphoric affect of BTS for Gen-X women.
Rani NeutillFeb 17, 2023
Rox Samer reviews the documentary “Loving Highsmith” and highlights the trans resonances in Patricia Highsmith’s life and work.
Rox SamerFeb 16, 2023
Whitney Strub considers Kelsy Burke’s “The Pornography Wars: The Past, Present, and Future of America’s Obscene Obsession.”
Whitney StrubJan 24, 2023
Michelle Tea reflects on the paintings of artist and writer Ali Liebegott in the exhibition “Rooms and Other Feelings.”
Michelle TeaJan 13, 2023
Janna Brancolini discusses the dynamic relationship between restrictive Italian gender roles, Italy’s biggest literary prize, and the nation's history of women writers, who have rarely won it.
Janna BrancoliniDec 23, 2022
Ryan Coleman reviews Sarah Polley’s film adaptation of Miriam Toews’s “Women Talking.”
Ryan ColemanDec 22, 2022
Eva Pensis reviews Andrea Pallaoro’s film “Monica.”
Eva PensisDec 9, 2022
Isabelle Lang and Laura Valenza revisit the 1990s feminist revenge plot and its bearing on today’s domestic violence laws.
Isabelle Lang, Laura ValenzaNov 25, 2022
Jamie Hood reviews Joanna Walsh’s memoir-critical hybrid, “My Life as a Godard Movie.”
Jamie HoodNov 24, 2022
J. E. Smyth commemorates a landmark anniversary of forgotten screenwriter and guild president, the sharp-tongued, blacklisted Mary McCall.
J. E. SmythNov 18, 2022
What are the mandates of Black Girl Magic? Leigh-Michil George looks at the history of “Essence” magazine and the complicated personal politics of representation in an essay about Timeka N. Tounsel’s “Branding Black Womanhood: Media Citizenship from Black Power to Black Girl Magic.”
Leigh-Michil GeorgeNov 10, 2022
Grace Byron reviews “It Came from the Closet: Queer Reflections on Horror” from Feminist Press and editor Joe Vallese.
Grace ByronNov 4, 2022