Unhooking: On the Gigification of Intimacy
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
Kelly Coyne examines gig-work philosophy in Emma Cline’s novel “The Guest” and Gene Stupnitsky’s movie “No Hard Feelings.”
Kelly Marie CoyneJul 3, 2024
Hannah Bonner connects Kōhei Saitō’s book “Slow Down: The Degrowth Manifesto” to Sara Sowell’s short film “Color Negative” by way of the Kardashians.
Hannah BonnerJul 2, 2024
Tim Riley reviews Carrie Courogen’s “Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius.”
Tim RileyJun 25, 2024
Kevin Gonzalez looks back at Kenneth Anger’s “Scorpio Rising” as a biker and a present-day political subject.
Kevin GonzalezJun 14, 2024
David A. Gerstner considers the sterilized presentation of Rainer Werner Fassbinder’s “Querelle” in its new rerelease.
David A. GerstnerJun 12, 2024
Marion Thain analyzes Yorgos Lanthimos’s film “Poor Things” in the context of Julie Wosk’s new book “Artificial Women: Sex Dolls, Robot Caregivers, and More Facsimile Females.”
Marion ThainJun 10, 2024
Anna Bogutskaya assesses “Ripley,” Netflix’s new adaptation of Patricia Highsmith’s most infamous literary creation.
Anna BogutskayaJun 8, 2024
Brendan Boyle considers Bertrand Bonello’s 2023 film “The Beast.”
Brendan BoyleMay 30, 2024
Michael Szalay on twinned productions and other IP shenanigans in “Anatomy of a Fall,” “Constellation,” and “The Signal.”
Michael SzalayMay 25, 2024
Greg Cwik reviews the new compilation of work from writer Harlan Ellison.
Greg CwikMay 24, 2024
Greta Rainbow reviews Alice Rohrwacher’s film “La chimera.”
Greta RainbowMay 16, 2024
Dylan Adamson positions the discourses around Francis Ford Coppola’s “Megalopolis” within the director’s larger body of work.
Dylan AdamsonMay 10, 2024