More Than an Object of Vardolatry
Conor Williams reviews Carrie Rickey’s “A Complicated Passion: The Life and Work of Agnès Varda.”
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
Conor Williams reviews Carrie Rickey’s “A Complicated Passion: The Life and Work of Agnès Varda.”
Conor WilliamsOct 14, 2024
In the latest installment of Screen Shots, Annie Berke recalls Michel Gondry’s “Eternal Sunshine of the Spotless Mind,” a love story about memory loss, for its 20th anniversary.
Annie BerkeOct 13, 2024
Anne Sawyier reviews Hannah McGregor’s new book, “Clever Girl: Jurassic Park” in the context of big tech’s takeover of Hollywood.
Anne SawyierOct 2, 2024
Sam Weller details the tempestuous collaboration of Ray Bradbury and John Huston on the production of the 1956 movie “Moby Dick.”
Sam WellerSep 5, 2024
LARB presents a new essay by Erika Balsom, excerpted from Fireflies Press’s edited collection “Ingrid Caven: I Am a Fiction,” publishing this September.
Erika BalsomAug 31, 2024
Madeline Ullrich explores the contradictions of “children’s television” in the Max/ID series “Quiet on Set” and Jane Schoenbrun’s film “I Saw the TV Glow.”
Madeline UllrichAug 25, 2024
Victoria Sturtevant reviews Pamela Adlon’s new film “Babes.”
Victoria SturtevantAug 20, 2024
Meghan Racklin reviews “Janet Planet,” the debut feature film from playwright Annie Baker.
Meghan RacklinAug 12, 2024
Minsoo Kang examines the persistence of Korean nationalism in the South Korean horror thriller “Exhuma,” directed by Jang Jae-hyun.
Minsoo KangAug 3, 2024
Lori Marso reviews Catherine Breillat’s film “Last Summer” in the context of the director’s body of work, as well as alongside the recent Miranda July novel, “All Fours.”
Lori MarsoJul 19, 2024
Adam Nayman considers Yorgos Lanthimos’s latest film “Kinds of Kindness” amid the provocateur director’s broader body of work.
Adam NaymanJul 14, 2024
Torsa Ghosal discusses Dev Patel’s film “Monkey Man” and the problematic politics of revenge.
Torsa GhosalJul 10, 2024