I’m Only Interested in the Real: A Conversation Between Rachel Cusk and Ira Sachs
In an excerpt from LARB Quarterly no. 41, “Truth,” writer Rachel Cusk and filmmaker Ira Sachs discuss his new film “Passages,” his oeuvre, and the creative process.
"There is only one thing that can kill the Movies, and that is education." — Will Rogers
In an excerpt from LARB Quarterly no. 41, “Truth,” writer Rachel Cusk and filmmaker Ira Sachs discuss his new film “Passages,” his oeuvre, and the creative process.
Rachel CuskMay 3, 2024
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
Enzo EscoberMay 2, 2024
Jamal Batts reviews Robeson Taj Frazier’s “KAOS Theory: The Afrokosmic Ark of Ben Caldwell.”
Jamal BattsApr 30, 2024
Ryan Coleman reports from the Los Angeles Festival of Movies.
Ryan ColemanApr 26, 2024
Jonathan van Harmelen reveals a lesser-known, unappreciated history of American film through the work of Asian American makers and studios.
Jonathan van HarmelenApr 25, 2024
Jayson Buford revisits Curtis Hanson and Eminem’s “8 Mile.”
Jayson BufordApr 14, 2024
Theo Spielberg appreciates Fatima Al Qadiri’s haunting score for the 2019 Senegalese film “Atlantics.”
Theo SpielbergApr 11, 2024
Ned Resnikoff reviews Pamela Robertson Wojcik’s “Unhomed: Cycles of Mobility and Placelessness in American Cinema.”
Ned ResnikoffApr 10, 2024
Devin Griffiths reads Frank Herbert’s “Dune” as a novel of environmental protest.
Devin GriffithsApr 5, 2024
Julia Gunnison reviews Radu Jude’s “Do Not Expect Too Much from the End of the World.”
Julia GunnisonApr 5, 2024
Lori Marso reviews Christine Smallwood’s book on “La Captive” (Chantal Akerman, 2000).
Lori MarsoApr 4, 2024
Jimmy So analyzes what “Oppenheimer” and “Killers of the Flower Moon” have to say about America.
Jimmy SoMar 20, 2024