Unexpected Directions: Camille Henrot’s “Days Are Dogs” and the Erasure of the Meaning of Difference
Mariam Rahmani on the pleasures and disappointments of Camille Henrot’s “Days Are Dogs.”
"Art is making something out of nothing and selling it." — Frank Zappa
Mariam Rahmani on the pleasures and disappointments of Camille Henrot’s “Days Are Dogs.”
Mariam RahmaniFeb 4, 2018
Linda Nochlin, best known for her essay “Why Have There Been No Great Women Artists,” died last October. She left a monumental legacy in art criticism.
Mara NaselliJan 28, 2018
Alicia Eler’s “The Selfie Generation” dilates on perhaps the seminal photographic genre of our time to think about its possibilities and pitfalls.
Hollis GriffinJan 26, 2018
Melissa Templeton on the new anthology “Queer Dance,” which, at long last treats the intersection of gender, sex, and choreography.
Melissa TempletonJan 24, 2018
Stamps can terrorize because while their materiality exists in time, like that of paintings, it also compacts it.
Mairead CaseJan 21, 2018
John Wisniewski interviews Spencer Kansa about his latest biography, “Out There: The Transcendent Life and Art of Burt Shonberg.”
John WisniewskiJan 18, 2018
On “The Internal Machine,” a 2017 exhibition at the Center for Book Arts, New York.
Megan N. LibertyJan 18, 2018
A man who knows nothing about paintings, who has never painted a picture, writes about the first painting he loved. J. D. Daniels on Velázquez.
J. D. DanielsJan 2, 2018
Brad Evans speaks with Canadian cultural theorist and philosopher Erin Manning. A conversation in Brad Evans’s “Histories of Violence” series.
Brad EvansJan 2, 2018
Yxta Maya MurrayDec 31, 2017
"Loving Vincent" gives itself over to the poetics of showing its painterly work. It rediscovers not only van Gogh the artist, but also his medium.
Marta FiglerowiczDec 30, 2017
Stefanie Sobelle talks with curator James Glisson about his new exhibition at the Huntington, "Frederick Hammersley: To Paint without Thinking."
Stefanie SobelleDec 29, 2017