Left Mountebanks: On Agnès Poirier’s “Left Bank: Art, Passion, and the Rebirth of Paris, 1940–1950”
Robert Zaretsky finds fault with “Left Bank: Art, Passion, and the Rebirth of Paris, 1940–1950” by Agnès Poirier.
"Art is making something out of nothing and selling it." — Frank Zappa
Robert Zaretsky finds fault with “Left Bank: Art, Passion, and the Rebirth of Paris, 1940–1950” by Agnès Poirier.
Robert ZaretskyJun 19, 2018
Richard Sennett’s notion of an “open city” articulates how to achieve, or at least think about, the ethical city in the 21st century.
Josh StephensJun 15, 2018
Geoff Nicholson strolls through several books on walking.
Geoff NicholsonJun 15, 2018
A book on the rise and fall of American cemeteries.
Sam HolleranJun 13, 2018
Anya Ventura looks at the queer life hiding inside of Grant Wood’s iconic paintings of Depression-era Americana.
Anya VenturaJun 10, 2018
Amy Brady of “Guernica” magazine presents the second conversation in the series “The Art and Activism of the Anthropocene.”
Amy BradyJun 6, 2018
Twenty-seven years after its publication, Patrick Nagatani’s “Nuclear Enchantment” still sees the lurking violence of the American nuclear project.
Jeffrey MoroJun 2, 2018
“Why Art?” is physically delightful: it just feels good to hold in your hands and flip through.
Etelka LehoczkyJun 2, 2018
Helen DeWittMay 29, 2018
On the exclusion of Armenian artists from the Glendale Biennial.
Mashinka Firunts HakopianMay 27, 2018
Geoff Nicholson focuses on “Double Vision: The Photography of George Rodriguez,” edited and introduced by Josh Kun.
Geoff NicholsonMay 27, 2018
A captivating addition to the catalog of monsters in today's culture, Sofia and Del Samatar’s “Monster Portraits” strikes gold in a genre entirely its own.
Caro MaconMay 18, 2018