We Think Back Through Our Artistic Mothers
Madeline Howard reviews Hannah Regel’s “The Last Sane Woman.”
Madeline Howard reviews Hannah Regel’s “The Last Sane Woman.”
Alexander Billet reviews Dominique Routhier’s “With and Against: The Situationist International in the Age of Automation.”
Jenna N. Hanchey reviews Suyi Davies Okungbowa’s “Lost Ark Dreaming.”
Pallavi Aiyar explores how the youth navigate the precarity of contemporary China in her review of two new books by Alec Ash and Yuan Yang.
Torsa Ghosal discusses Dev Patel’s film “Monkey Man” and the problematic politics of revenge.
LARB presents an excerpt from Saikat Majumdar’s “The Amateur: Self-Making and the Humanities in the Postcolony.”
Dan Hartland reviews Christopher Priest’s “Airside.”
Laurie Levenson reviews Ronald Collins’s “Tragedy on Trial: The Story of the Infamous Emmett Till Murder Trial.”
Rachel Dec reviews Kyla Scanlon’s “In This Economy? How Money and Markets Really Work.”
Thomas Chen reviews Margaret Hillenbrand’s “On the Edge: Feeling Precarious in China.”
Kate Sadoff reviews Jonathan Vigliotti’s “Before It’s Gone: Stories from the Front Lines of Climate Change in Small-Town America.”
Hannah Sage Kay reviews David K. Seitz’s “A Different Trek: Radical Geographies of ‘Deep Space Nine.’”
Randall Mann interviews Christian Gullette about "Coachella Elegy."
Shehryar Fazli reviews Salman Rushdie’s “Knife: Meditations After an Attempted Murder.”
Celina Su interviews Kendra Sullivan about “Reps.”
Robert J. C. Young reviews Adam Shatz’s “The Rebel’s Clinic: The Revolutionary Lives of Frantz Fanon.”