Southern-Fried Noir
Rob Latham reviews “The Dime,” by Kathleen Kent.
Rob Latham reviews “The Dime,” by Kathleen Kent.
Catherine O'Donnell on John T. McGreevy's "American Jesuits and the World."
Ellen Wayland-Smith on Melissa Febos’s “Abandon Me.”
The future is here, it just hasn’t finished melting yet.
Mark Fisher’s “The Weird and the Eerie” is a fitting tribute to an author who had the rare capacity to write lucidly about dark and difficult things.
Noah Gittell on Noah Isenberg's "We'll Always Have Casablanca."
“I think the people in this country have had enough of experts.”
Charlie Tyson on "Alan Hollinghurst: Writing Under the Influence," the new collection edited by Denis Flannery and Michèle Mendelssohn.
Jean Hey reviews “Teethmarks on My Tongue,” a coming-of-age novel by Eileen Battersby.
Brian K. Goodman on Timothy Garton Ash's "Free Speech."
David M. Higgins reviews Alan Moore’s new novel, “Jerusalem.”
Lesley Trites on the roles played in Katie Kitamura's "A Separation."
How do we end mass incarceration? John Pfaff has some inconvenient answers.
Can we still enjoy Lovecraft? Alison Sperling on "The Age of Lovecraft."
Nicole Clark on transhumanism and Mark O'Connell's "To Be a Machine."
Gail Pellett reviews Beverley Hooper’s new book on foreigners in China.