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Between Philosophy and History: On Guido Mazzoni’s “Theory of the Novel”
Alberto Comparini delves into “Theory of the Novel” by Guido Mazzoni.
All Reviews
Beyond the Confines of Race and Culture: “Hola and Goodbye: Una Familia in Stories”
Kim Fay on Donna Miscolta's latest book.
How to Be Torn-Between
Emily LaBarge reviews Durga Chew-Bose's "Too Much and Not the Mood."
Music in the Air: A Tribute to Music Critic Ralph J. Gleason
Jon Friedman on "Music in the Air: The Selected Writings of Ralph J. Gleason."
Migrant Vernaculars: Deepak Unnikrishnan’s “Temporary People”
“Temporary People” delves into the lives, myths, and vocabularies of the Indians, Pakistanis, Bangladeshis, and Filipinos who make up UAE’s subaltern class.
Sun, Hum, and Shade
Matt Seidel reviews Martha Cooley's "Guesswork: A Reckoning With Loss."
Music Meets Writing: On Haruki Murakami and Seiji Ozawa
Colin Marshall listens closely to “Absolutely on Music: Conversations with Seiji Ozawa” by Haruki Murakami.
Monster, Monster, On the Wall
Lily Hoang reviews Emil Ferris's "My Favorite Thing Is Monsters."
The High-Rise is a Bottomless Abyss
Brad Prager on Hariton Pushwagner's "Soft City."
You Can’t Have Me: Feminist Infiltrations in Object-Oriented Ontology
Rebekah Sheldon on "Object-Oriented Feminism."
A Moral Image of the World
Susan Shell on Richard Eldridge's "Images of History: Kant, Benjamin, Freedom, and the Human Subject."
Notes of Actuality: A New Anthology Documenting the Films of Jean-Marie Straub and Danièle Huillet
Kevin McMahon finds that the “Writings” of Jean-Marie Straub and Danièle Huillet enrich our appreciation of their films.
Despair and Hope: Jassy Mackenzie’s South African Noir
Glenn Harper reviews the new book in Jassy Mackenzie’s Jade de Jong series.
The Terror of White Innocence: A Review of Hari Kunzru’s “White Tears”
The pathology of whiteness is the foundation for Hari Kunzru’s “White Tears,” a novel that explores the roots and routes of black music and Jim Crow.
A Safe Place
Heather Scott Partington on Yiyun Li's "Dear Friend, From My Life I Write To You in Your Life."
Becoming the River: On Martín Espada’s “Vivas to Those Who Have Failed”
Daniel Evans Pritchard sings the praises of “Vivas to Those Who Have Failed: Poems” by Martín Espada.
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