Getting “Woke”: Mary Gaitskill’s “Somebody with a Little Hammer”
Is there enough new material by Gaitskill in "Somebody with a Little Hammer"? Sariah Dorbin weighs in.
Is there enough new material by Gaitskill in "Somebody with a Little Hammer"? Sariah Dorbin weighs in.
Morten Høi Jensen considers the form of “Transit: A Novel” by Rachel Cusk.
Henry Martyn Lloyd on "The Slow Professor" and "Slow Philosophy."
Colin Dickey reviews Juan Pimentel’s “The Rhinoceros and the Megatherium: An Essay in Natural History.”
Sanguine as Verne is about the progress of science, he is no mere apologist for European colonialism or industrial capitalism.
Libby Flores reviews Deb Olin Unferth's "Wait Till You See Me Dance."
Marta Figlerowicz on André Jolles’s "Simple Forms."
“Richard Nixon is not the gateway to understanding Donald Trump.” Larry Harnisch reviews John A. Farrell’s “Richard Nixon: The Life.”
Lisa Russ Spaar takes a second look at second books by poets Rosanna Warren and Melissa Range.
Andrew Lanham reviews Vaughn Rasberry’s “Race and the Totalitarian Century.”
Vicky Albritton and Fredrik Albritton Jonsson review Dan Egan’s “The Death and Life of the Great Lakes.”
Joseph Henry Staten reviews Douglas Spencer’s new book on neoliberal architecture.
Judith Freeman admires “Bonnie Cashin: Chic Is Where You Find It” by Stephanie Lake.
In “When the World Wounds,” Salaam writes stories to let you feel life’s philosophical, theological, cosmological potential in your mind/body.
Leigh Eric Schmidt on Bonnie S. Anderson's biography of Ernestine Rose, "The Rabbi's Atheist Daughter."
Louise Fabiani reviews Benjamin Hale's "The Wild and the Wicked."