How Philanthropy Threatens Democracy
Susan McWilliams reviews David Callahan’s “The Givers: Wealth, Power, and Philanthropy in a New Gilded Age.”
Susan McWilliams reviews David Callahan’s “The Givers: Wealth, Power, and Philanthropy in a New Gilded Age.”
Claire Cameron’s “The Last Neanderthal” is the first of a new genre of Neanderthal literature.
Michael Paller reviews James Shapiro's latest book.
Daegan Miller reviews Robert M. Thorson’s “The Boatman: Henry David Thoreau’s River Years.”
David B. Hobbs looks at Harlem Renaissance fixture Claude McKay's recently discovered "Amiable with Big Teeth."
Richard Kearney on Jason M. Wirth's "Commiserating with Devastated Things: Milan Kundera and the Entitlements of Thinking."
Patrick Kurp appreciates the serious “sallies” of “This Thing We Call Literature” by Arthur Krystal.
Mark Trecka reviews Layli Long Soldier’s “Whereas” and Mai Der Vang’s “Afterland.”
Hanna Schaefer picks apart “The Weight of All Flesh” by Eric Santner.
Mort Zachter visits Annabelle Gurwitch's "Wherever You Go, There They Are."
Lidia Yuknavitch mines literary and political history for timely heroines based on the iconic Joan of Arc and her contemporary, Christine de Pizan.
Eric Newman appreciates the lessons of “After the Blue Hour” by John Rechy.
Jacqui Shine reviews Phoebe Maltz Bovy’s “The Perils of ‘Privilege’.”
Declan Ryan reviews two collections — one of poems, the other of stories — by Adam O’Riordan.
Soviet sci-fi, avant-garde experimentalism, and Tibetan Buddhism converge in “Radiant Terminus,” Antoine Volodine’s longest narrative to appear in English.
Eric Gudas pores over “Family Lexicon” by Natalia Ginzburg.