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The Dog Days Are … Back?
Hannah Bonner considers Marielle Heller’s new adaptation of “Nightbitch,” Rachel Yoder’s 2021 novel.
All Reviews
Eros, Meet Thanatos
Ryan McIlvain reviews Samantha Allen’s “Roland Rogers Isn’t Dead Yet.”
Watching “The Diplomat” After Election Night
Paul Allen Anderson analyzes the failures of the liberal dream in Netflix’s “The Diplomat,” in light of Donald Trump’s reelection.
A Place, Not a Refuge
Katie Peterson reviews “What Remains: The Collected Poems of Hannah Arendt,” translated and edited by Samantha Rose Hill with Genese Grill.
A Soundtrack of Irrationalism
Blaire Briody considers localized extremism as portrayed in Sasha Abramsky’s “Chaos Comes Calling: The Battle Against the Far-Right Takeover of Small-Town America.”
Falling in Love with Fanny and Robert Louis Stevenson
Robert Louis Stevenson scholar Trenton B. Olsen reviews “A Wilder Shore” by Camille Peri.
From the Pudong Airport to Tiananmen Square
Rebecca F. Kuang reviews Lai Wen’s “Tiananmen Square” and Juli Min’s “Shanghailanders.”
Cults, Yoga, and #YouToo
R. John Williams considers what the HBO docuseries “Breath of Fire” reveals about “new” religious experiences.
A Chemical Window to See Outside
Julia Case-Levine reviews Emily Witt’s “Health and Safety: A Breakdown.”
Yet Still the Earth Burns
M. Keith Booker reviews Gabrielle Korn’s new novel “The Shutouts.”
An Act of Transgression
Will DiGravio reviews Murray Pomerance and Matthew Solomon’s “The Biggest Thing in Show Business: Living It Up with Martin & Lewis.”
The Hazards of Slavery
Scott Spillman reviews Seth Rockman’s “Plantation Goods: A Material History of American Slavery.”
The Character of Chinese Computing
Maura Elizabeth Cunningham reviews Thomas S. Mullaney’s “The Chinese Computer: A Global History of the Information Age.”
The Gospel According to Jordan
Michael Ledger-Lomas reviews Jordan Peterson’s “We Who Wrestle with God: Perceptions of the Divine.”
Philosophical Dead Ends
John Dupré reviews Richard Dawkins’s “The Genetic Book of the Dead” and Sara Imari Walker’s “Life as No One Knows It.”
A World Literature Begins to Take Shape
Mitchell Abidor reviews Edwin Frank’s “Stranger Than Fiction: Lives of the Twentieth-Century Novel.”
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