A Test of American Traditions: Timothy Snyder’s “On Tyranny”
Darryl Holter appreciates the lessons of “On Tyranny” by Timothy Snyder.
Darryl Holter appreciates the lessons of “On Tyranny” by Timothy Snyder.
Lara Schoorl finds inspiration in “Antígona González” by Sara Uribe.
With "Made for Love," there can be no disputing that Alissa Nutting is funny as hell.
Kim Fay reviews the Inspector Sebag novels by Philippe Georget.
In "Dead Pledges," Annie McClanahan uncovers how cultural production after 2008 registers a new crisis subjectivity in the wake of the mortgage meltdown.
Alice Bolin on Alexandria Marzano-Lesnevich’s hybrid of true crime and memoir, “The Fact of a Body.”
Tom Gallagher appreciates “The New Russia,” a political autobiography by Mikhail Gorbachev.
Alci Rengifo is stirred by “October: The Story of the Russian Revolution” by China Miéville.
China Miéville makes the Russian Revolution come alive in an excellent popular history.
Fed and cared for, Menkedick is allowed the space few women have, to sit with her pregnancy and truly grapple with its implications for her life.
Ani Kokobobo explores the human connections of “Island of the Mad: A Novel” by Laurie Sheck.
“Anthropocene Feminism,” a new essay collection edited by Richard Grusin, asks how feminism is reshaped by a recognition of human impact on the world.
Jean Hey can’t put down “Do Not Become Alarmed,” the latest novel by Maile Meloy.
Nicholas de Villiers new book gives a fresh view on films about sex work by focusing on documentaries about sex workers, a genre that he calls “sexography.”
Matt E. Lewis reviews “The Changeling” by Victor LaValle.
Yelena Furman recommends “The State Counsellor,” the sixth installment in the Erast Fandorin detective series by Boris Akunin.