After Strange Gods: Modernist Blasphemy Revisited
A new study of blasphemy in modernist literature.
A new study of blasphemy in modernist literature.
Adam Fales reviews Joanna Walsh's short story collection, "Worlds from the Word’s End."
Susan Barr-Toman considers the essays in Andrea Jarrell's "I’m the One Who Got Away."
Jesmyn Ward’s “Sing, Unburied, Sing” reflects the different ways people live through trauma.
A comradely incitement to our own peripheralization.
Ethan Linck reviews Richard O. Prum's "The Evolution of Beauty: How Darwin’s Forgotten Theory of Mate Choice Shapes the Animal World — and Us."
What would we be without the veneer of social convention: petty, destructive, deeply alone?
A new book argues that chess or dice is not the right metaphor for war. The right game is poker.
Jacob Mikanowski on Kapka Kassabova’s travel memoir “Border: A Journey to the Edge of Europe.”
Sam Hall Kaplan commiserates with Jeremiah Moss, author of “Vanishing New York: How a Great City Lost Its Soul.”
Dorothy Wolpert considers Owen Fiss's "Pillars of Justice: Lawyers and the Liberal Tradition."
Amir Soleimanpour reviews Santiago Gamboa's "Return to the Dark Valley."
Cinque Henderson on Danielle Allen’s memoir “Cuz: The Life and Times of Michael A.”
Ben Paynter reviews A. S. Patrić's "Black Rock White City."
Donnell Alexander reviews James McBride's short story collection "Five-Carat Soul."
Edwidge Danticat’s "The Art of Death" offers counterpoint, consolation, and a means of creation to readers and writers alike.