These Words Contain My Pulse
Cory Oldweiler reviews Argentine author Agustina Bazterrica’s terrifying dystopian novel “The Unworthy,” translated by Sarah Moses.
Cory Oldweiler reviews Argentine author Agustina Bazterrica’s terrifying dystopian novel “The Unworthy,” translated by Sarah Moses.
Dashiel Carrera reviews Nathan Dragon’s “The Champ Is Here.”
René Johannes Kooiker explores Marlon James’s series “Get Millie Black,” in which detectives chase ghosts as well as criminals.
Souli Boutis reviews Carlos Labbé’s novel “The Murmuration,” translated by Will Vanderhyden.
Akanksha Singh reviews Mayukh Sen’s “Love, Queenie: Merle Oberon, Hollywood’s First South Asian Star.”
Alex Mormorunni reviews Bei Dao’s “Sidetracks” and Eliot Weinberger's “The Life of Tu Fu.”
Michelle Cohn explores Mati Diop’s recent film “Dahomey.”
Gisela Salim-Peyer explores the Oscar-nominated chronicle of one family’s encounter with military dictatorship in Brazil.
Scott reviews Grady Hendrix’s “Witchcraft for Wayward Girls.”
Jenessa Abrams considers Shayne Terry’s “Leave: A Postpartum Account.”
Charlotte Rogers has some concerns about Julie Sedivy’s “Linguaphile: A Life of Language Love.”
Gideon Leek reviews Sophie Madeline Dess’s “What You Make of Me.”
Rodger Citron reviews Robert L. Tsai’s “Demand the Impossible: One Lawyer’s Pursuit of Equal Justice for All.”
Ian Ellison reviews Cate I. Reilly’s “Psychic Empire: Literary Modernism and the Clinical State.”
Federico Perelmuter considers László Krasznahorkai’s “Herscht 07769,” translated by Ottilie Mulzet.
Bill Thompson considers the new spy farce by Fred Kaplan, the national security writer for “Slate.”