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Law, Lies, and Hollywood: Stanley Fish’s Cinematic Jurisprudence
Julie Stone Peters examines “Law at the Movies: Turning Legal Doctrine into Art” by Stanley Fish.
All Reviews
Down and Out in Hollywood
Justin Gautreau considers Lou Mathews’s new novel “Hollywoodski.”
The Devil as the Dream
Aria Aber considers “The Coin” by Yasmin Zaher.
The Guilting of the Liberals
Harry Stecopoulos reviews Adam Haslett’s new novel “Mothers and Sons.”
Untying the Knot
Winnie Wang reviews Haley Mlotek’s “No Fault: A Memoir of Romance and Divorce.”
The Real Pain of “A Real Pain”
Adam Sobsey analyzes the new film “A Real Pain” and his own search for his Jewish roots.
Colleges or Caretakers?
Erwin Chemerinsky reviews Louis H. Guard and Joyce P. Jacobsen’s “All the Campus Lawyers: Litigation, Regulation, and the New Era of Higher Education.”
Cinema and the Screen of the Self
Philip Sorenson reviews Laura Henriksen’s “Laura’s Desires.”
The False Promises of Indian Community
Romy Rajan considers Payal Kapadia’s new film “All We Imagine as Light.”
I Was … But You Were …
On the 10th anniversary of its release, Vrinda Jagota revisits Rupi Kaur’s “milk and honey.”
“Here” and Now: Hollywood’s Dubious AI Wager
Joshua Glick explores how Robert Zemeckis’s unsatisfying dependence on AI in “Here” reflects the state of our culture.
Vital Congruities
Rose Higham-Stainton reviews the reissue of Claire-Louise Bennett’s “Fish out of Water.”
Crashes on the Information Highway
Kendra Sullivan reviews Chris Campanioni’s “Windows 85.”
Dino Buzzati’s Fantastic Universe
Valentina Polcini reviews Dino Buzzati’s “The Bewitched Bourgeois: Fifty Stories.”
Memories That Await Like Land Mines
Danica Jenkins reviews Leo Vardiashvili’s debut novel “Hard by a Great Forest.”
Gore Is More
Michael Goodrum reviews Jeremy Dauber’s “American Scary: A History of Horror, from Salem to Stephen King and Beyond.”
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