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More and Scarier Monsters, Always
Vanessa Evans reviews the new critical anthology “Global Indigenous Horror,” edited by Naomi Simone Borwein.
All Reviews
Points of Confluence
Michael Knapp reviews “The Voices of Adriana” by Elvira Navarro, translated by Christina MacSweeney.
i am elsewhere
Godelieve de Bree considers Hasib Hourani’s “rock flight.”
So Unnaturally Slow
Matthew K. Ritchie considers Carson Lund’s “Eephus” and the feeling of being washed-up.
Medicine and Lucre
While looking at three recent books, physician Luke Messac explains why the public has legitimate reasons to distrust our healthcare system.
Rebel Girls
Elizabeth Alsop considers the third season of “Yellowjackets.”
Significant World
Valerie Duff-Strautmann reviews Srikanth Reddy’s “The Unsignificant.”
Step Right Up and See This Ghastly Town
Cory Oldweiler reviews Ecuadoran author Natalia García Freire’s new novel, “The Carnival of Atrocities,” translated by Victor Meadowcroft.
They Really Love Their Twee Life in Berlin
Aaron Labaree reviews Vincenzo Latronico’s novel “Perfection,” translated by Sophie Hughes.
What Can Enlightened Coders Really Do?
Evan Selinger reads Darryl Campbell’s “Fatal Abstraction: Why the Managerial Class Loses Control of Software” with the realities his students face in mind.
Reservation Politics
Sarah McEachern reviews Jon Hickey’s debut novel “Big Chief.”
Of Quirks and Quarks
Heather Treseler reviews John Koethe’s new collection “Cemeteries and Galaxies.”
The Unsettled Self
Grace Linden reviews Katie Kitamura’s “Audition”
Whose Voices Are These?
Leland de la Durantaye considers art, abstraction, and violence in Rachel Cusk’s “Parade.”
Annoy Me to Death
Wade Newhouse considers Camilla Bruce’s new horror novel “At the Bottom of the Garden.”
Toward an Aesthetic of Post-Boomer Fiction
Zach Gibson reviews Adam Kelly’s “New Sincerity: American Fiction in the Neoliberal Age.”
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