Language at the End of the World
Sarah Yanni considers Rosie Stockton’s new book of poems, “Fuel.”
Sarah Yanni considers Rosie Stockton’s new book of poems, “Fuel.”
Cory Oldweiler considers German author Franziska Gänsler’s debut novel, “Eternal Summer,” newly translated by Imogen Taylor.
Kai Maristed reviews the new translation of Austro-German author Daniel Kehlmann’s 2023 novel “The Director,” translated by Ross Benjamin.
Bathsheba Demuth reviews Ferris Jabr’s “Becoming Earth: How Our Planet Came to Life.”
In this first of a two-part essay, Jonathan Blake considers recent books on the political rights of nonhuman beings.
Melina Moe considers Amanda Jones’s “That Librarian: The Fight Against Book Banning in America.”
Mary Kay Magistad investigates Connla Stokes’s “Falling for Saigon.”
Danielle Chelosky reviews Constance Debré’s “Name,” translated by Lauren Elkin.
Maddalena Poli explores the new series from Oxford University Press, Hsu-Tang Library of Classical Chinese Literature.
B. K. Fischer reviews Maggie Nelson’s “Pathemata, or The Story of My Mouth.”
Ian Ellison considers Sebastian P. Klinger’s “Sleep Works: Experiments in Science and Literature, 1899–1929.”
Jenna N. Hanchey explores the recent anthology “Afro-Centered Futurisms in Our Speculative Fiction,” edited by Eugen Bacon.
Ieva Jusionyte digs into Greg Grandin’s “America, América: A New History of the New World.”
Esther Allen reviews Greg Grandin’s “America, América: A New History of the New World.”
Heather Cass White considers David Szalay’s latest novel, “Flesh.”
Jessie Lau ponders Emily Feng’s “Let Only Red Flowers Bloom: Identity and Belonging in Xi Jinping’s China.”