Moments Before Burning
Benjamin Paul considers Mary Helen Callier’s debut poetry collection, “When the Horses.”
Benjamin Paul considers Mary Helen Callier’s debut poetry collection, “When the Horses.”
Diana Heald reviews Sophie Gilbert’s “Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves.”
Mieke Marple reviews the new anthology “Who Is Government? The Untold Story of Public Service,” edited by Michael Lewis.
Ellen Wayland-Smith admires how Robert Macfarlane’s “Is a River Alive?” places the reader in immersive contact with the nature we regard as mere backdrop to human activity.
Rowland Bagnall discovers “The Essential C. D. Wright,” edited by Forrest Gander and Michael Wiegers.
Charlotte E. Rosen breaks down the political ramifications of Max’s “The Pitt” for subjects of an anti-expertise, anti-empathy fascist regime.
Tim Hirschel-Burns evaluates Friederike Otto’s “Climate Injustice: Why We Need to Fight Global Inequality to Combat Climate Change,” translated by Sarah Pybus.
Joshua Gutterman Tranen considers Sarah Schulman’s “The Fantasy and Necessity of Solidarity.”
Nils Gilman reviews Mathew Burrows and Joseph Braml’s “World to Come: The Return of Trump and the End of the Old Order.”
Elaine Elinson reviews Kit Maude’s new translation of “We, the Casertas,” a novel by Argentine author Aurora Venturini.
Ruth Joffre reviews Debbie Urbanski’s story collection “Portalmania.”
Kyle Stevens examines the farce at the heart of the third season of HBO’s “The White Lotus.”
In this second of a two-part essay, Jonathan S. Blake considers two more recent books on the political rights of nonhuman beings.
Leo Lasdun examines Lydia Millet’s “Atavists.”
Greg Barnhisel reviews “Power Metal: The Race for the Resources That Will Shape the Future” by Vince Beiser.
Sarah Yanni considers Rosie Stockton’s new book of poems, “Fuel.”