When History Hangs Out
Jacob Stern reviews Richard Linklater’s two latest films, “Nouvelle Vague” and “Blue Moon,” as twin hangout movies.
Jacob Stern reviews Richard Linklater’s two latest films, “Nouvelle Vague” and “Blue Moon,” as twin hangout movies.
Gideon Leek reviews Joy Williams’s latest story collection, “The Pelican Child.”
Sara Kozameh offers a rigorous analysis of cultural production during the Cuban Revolution in conversation with Jennifer L. Lambe’s book “The Subject of Revolution: Between Political and Popular Culture in Cuba.”
Pasquale Toscano considers Rob Macaisa Colgate’s debut poetry collection, “Hardly Creatures.”
Lois Parkinson Zamora explores “Architect Hannes Meyer and Radical Modernism” by Georg Leidenberger.
Cory Oldweiler reviews the new translation of Danish author Solvej Balle’s “On the Calculation of Volume (Book III).”
Helena Aeberli traces Ellen Huet’s investigations in “Empire of Orgasm: Sex, Power, and the Downfall of a Wellness Cult.”
Aurelian Craiutu thinks about Balázs Trencsényi’s “Intellectuals and the Crisis of Politics in the Interwar Period and Beyond: A Transnational History.”
Harry Stecopoulos reviews Olivia Laing’s new novel “The Silver Book.”
Jessica Simmons-Reid visits Noah Davis’s posthumous survey at the Hammer Museum.
Janet Sarbanes encounters Nancy Buchanan’s career retrospective at the Brick in Los Angeles.
Alexandre Lefebvre reads “Furious Minds: The Making of the MAGA New Right” by Laura K. Field.
Zoe Adams considers “There Is No Place for Us: Working and Homeless in America” by Brian Goldstone.
Heather Macumber reviews Brandon Grafius’s “Scared by the Bible: The Roots of Horror in Scripture.”
William Egginton pays heed to Santiago Zabala’s “Signs from the Future: A Philosophy of Warnings.”
Minjie Chen takes a journey through China’s shadowlands in “Hello, Kitty and Other Stories” by Anne Stevenson-Yang.