Our Ordeal Is Worth It
Mona Fastvold’s ‘The Testament of Ann Lee’ presents a musical American allegory of the Great Awakening that is ‘fundamentally carnal, even if its heroine is decidedly not.’
Mona Fastvold’s ‘The Testament of Ann Lee’ presents a musical American allegory of the Great Awakening that is ‘fundamentally carnal, even if its heroine is decidedly not.’
Eram Alam’s new book uncovers the ways that immigrant physicians have propped up the American medical system.
Eric Gudas on the work and afterlife of the misunderstood photographer Diane Arbus.
Chelsea Davis considers Katherine Dunn’s posthumous story collection ‘Near Flesh.’
Tim Riley listens for the unspoken ironies of Cameron Crowe’s career via his new memoir, ‘The Uncool.’
Vesper North ponders Lisa Alvarez’s new story collection.
Luke Kemp’s ‘Goliath’s Curse: The History and Future of Societal Collapse’ diagnoses civilizational symptoms while sidestepping serious solutions.
Ruth Joffre digs into a new anthology of speculative writing about resistance, edited by Karen Lord, Annalee Newitz, and Malka Older.
Josh Safdie’s “Marty Supreme” and the mythmaking around a monoculture masterpiece.
Rowland Bagnall reads the previously uncollected dream songs of John Berryman.
Thomas Waller on Lygia Clark at Neue Nationalgalerie, Berlin.
David Shipko faces down postmodern fascism in the video game “Helldivers 2.”
Isabel Davis considers Amanda Hess’s new book about bringing a baby into a world of smart technology and data harvesting.
Tierney Finster traverses “Flat Earth,” Anika Jade Levy’s debut novel.
Sophie van Well Groeneveld visits a Wolfgang Tillmans survey, the final exhibition at Centre Pompidou before its renovation.
Chloe Garcia Roberts considers J. M. Coetzee and Mariana Dimópulos’s new book on translation.